The "Characters" of Jean de La BruyèreLa Bruyère, Jean de
General
The "Characters" of Jean de La Bruyère
La Bruyère, Jean de
Character sketches -- Early works to 1800; Characters and characteristics
(65.) A woman who always stares at one and the same person, or who is
for ever avoiding to look at him, makes us conclude but one and the
same thing of her.
(66.) Women are at little trouble to express what they do not feel; but
men are still at less to express what they do feel.
(67.) It sometimes happens that a woman conceals from a man the love
she feels for him, while he only feigns a passion he does not feel.
(68.) Suppose a man indifferent, but intending to declare to a woman
a passion he does not feel, it may be doubted whether it would not be
easier for him to deceive[179] a woman who loves him than one to whom
he is indifferent.
(69.) A man may deceive a woman by a pretended inclination, but then he
must not have a real one elsewhere.
(70.) A man storms and rails at a woman who no longer cares for him,
but he finds consolation; a woman is not so vociferous when she is
forsaken, but she remains unconsolable for a longer time.
(71.) Sloth in women is cured either by vanity or love; though, in
vivacious women, it is an omen of love.
(72.) It is certain that a woman who writes letters full of passion
is agitated, though it is not so sure that she is in love. A deep and
tender passion is more likely to become dejected and silent; and the
greatest and most stirring interest a woman can feel whose heart is no
longer free, is less to convince her lover of her own affection than to
be assured of his love for her.
(73.) Glycera[180] does not love her own sex; she hates their
conversation and their visits; she gives orders to be denied to them,
and often to her male friends, who are not many, whom she treats very
abruptly, keeps within limits, and whom she never allows to transgress
the bounds of friendship. She is absent-minded when they are present,
answers them in monosyllables, and seems to seek every opportunity of
getting rid of them; she dwells alone, and leads a very retired life
in her own house; her gates are better guarded and her rooms are more
inaccessible than those of Montauron or dʼEsmery.[181]
Public-domain text, read in full here on John Shaqi.
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