The Chautauquan, Vol. 03, March 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.Chautauqua Literary and Scientific Circle
Religion
The Chautauquan, Vol. 03, March 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
This has happened too often. It is in the interest of superstition that
it should happen again; and the best way to prevent it surely is to
tell the masses, Scientific method is no peculiar mystery, requiring a
peculiar initiation. It is simply common sense, combined with uncommon
courage, which includes uncommon honesty and uncommon patience; and
if you will be brave, honest, patient, rational, you will need no
mystagogues to tell you what in science to believe and what not to
believe; for you will be just as good judges of scientific facts and
theories as those who assume the right of guiding your convictions. You
are men and women: and more than that you need not be.
THE SORROW OF THE SEA.
By ALEXANDER ANDERSON.
A day of fading light upon the sea;
Of sea-birds winging to their rocky caves;
And ever with its monotone to me,
The sorrow of the waves.
They leap and lash among the rocks and sands,
White lipp’d, as with a guilty secret toss’d,
For ever feeling with their foamy hands
For something they have lost.
Far out, and swaying in a sweet unrest,
A boat or two against the light is seen,
Dipping their sides within the liquid breast
Of waters dark and green.
And farther still, where sea and sky have kiss’d,
There falls, as if from heaven’s own threshold, light
Upon faint hills that, half enswathed in mist,
Wait for the coming night.
But still, though all this life and motion meet,
My thoughts are wingless and lie dead in me,
Or dimly stir to answer at my feet
The sorrow of the sea.
ANECDOTES OF FASHION.
By I. D’ISRAELI.
The origin of many fashions was in the endeavor to conceal some
deformity of the inventor; hence the cushions, ruffs, hoops, and other
monstrous devices. If a reigning beauty chanced to have an unequal
hip, those who had very handsome hips would load them with that false
rump which the other was compelled by the unkindness of nature to
substitute. Patches were invented in England in the reign of Edward
VI by a foreign lady, who in this manner ingeniously covered a wen on
her neck. Full-bottomed wigs were invented by a French barber, one
Duviller, whose name they perpetuated, for the purpose of concealing
an elevation in the shoulder of the Dauphin. Charles VII of France
introduced long coats to hide his ill-made legs. Shoes with very long
points, full two feet in length, were invented by Henry Plantagenet,
Duke of Anjou, to conceal a large excrescence on one of his feet. When
Francis I was obliged to wear his hair short, owing to a wound he
received in the head, it became a prevailing fashion at court. Others,
on the contrary, adapted fashions to set off their peculiar beauties;
as Isabella of Bavaria, remarkable for her gallantry, and the fairness
of her complexion, introduced the fashion of leaving the shoulders and
part of the neck uncovered.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account