The lapis-lazuli, sometimes called "azure stone," is almost always blue, though often containing streaks of white and gold colour, the latter of which are due to the presence of minute specks or veins of iron pyrites, the former and colourless streaks being due to free lime, calcite, and other substances which have become more or less blended with the blue colour of the stone. It has a vitreous lustre, crystallises in the 1st, or cubic system, and is a complex substance, varying considerably in its ingredients in accordance with the locality in which it is found, its matrix, and the general geological formation of the surrounding substances, which may, by the penetration of moisture, be brought to bear upon the stone, thus influencing to a great extent its chemical composition. So that we find the stone composed of about a quarter of its substance of alumina, or oxide of aluminium, silica to the extent of almost half, the remainder being lime, soda, sulphur, and occasionally traces of copper and iron. It is mostly found in granite and certain crystalline limestone rocks, in fairly large masses. It is of great antiquity, figuring extensively in ancient Egyptian history, both in its form as a stone and ground up into a pigment for the decoration of sacred and royal vessels and appointments. When so ground, it forms the stable and magnificent colour, _genuine_ ultramarine, which is the finest and purest blue on the artist's palette, but owing to its extremely high price its use is not in very great demand, especially as many excellent chemical substitutes of equal permanence are obtainable at little cost. _The Turquoise._