upper lip shaven, the nose large, the eyes fine and grey, the mouth thickset, and on his countenance the sort of prepossessing pride of those who have never known fear of anything. He wore the long frock-coat to which many notable Alsatians remained faithful, even in the villages such as Alsheim, where the inhabitants have no special costume or any memory of having had any. Seeing Jean Oberlé, whom he had often dandled on his knees, he made a movement of surprise. "Is it you, my boy?" he said, in the dialect of Alsace, which he mostly used, and with which he was more familiar than with French. "What has happened to bring you here?" "Nothing, M. Bastian, if not that I have just come home." He held out his hand to the old Alsatian, who took it, pressed it, and suddenly lost that gaiety which had been in his welcome, for he thought: "It is now ten years since your father last came here, ten years that your family and mine have been enemies." But he only said, in answer to himself, and as if doing away with an objection: "Come in all the same, Jean; there is no harm for once." But the gladness of the first meeting was gone, and did not return. "How did you know that I was on your land?" asked Jean, who did not understand. "Did you hear me?" "No; I heard the blackbird. I thought it was my servant, whom I have sent to Obernai to get the lamps of my victoria mended. Come into the hall." He thought, with a feeling of regret and reprobation: "As your father used to come in when he was worthy." In the corridor to the left he opened a door, and both went into the "big room," which was at the same time the dining-room and the reception-room of this rich citizen, heir of lands and of the traditions of a long series of ancestors, who had only left the house at Alsheim for the cemetery. Nearly all the picturesque furniture which one still meets with in the old houses of rural Alsace had disappeared from the dwelling of M. Bastian. No more carved cupboards; no more chairs of solid wood, with the backs cut in the shape of hearts; no clock in its painted case; no more little weights at the windows. The few chairs in the big, square, light hall, the table, the cupboard, and the big chest, on the top of which was the cast of a Pietà not known to fame, were all of polished walnut. The only thing that was old was the historical stove of faience, bearing the signature of Master Hugelin of Strasburg, and of which M. Bastian was as proud as if it had been a treasure. About two-thirds down the room, between the stove and the table, a woman of about fifty was sitting, dressed in black, rather stout, having regular, thick features, bands of grey hair, the forehead almost without lines, fine long eyebrows, and eyes as dark as if she had come from the south, calm and dignified, which she lifted first to Jean and then to her husband as if to ask, "How does he come here?"