Even Irina, who is always ready to run and jump, feels oppressed
by the still, silent house. The dining room is desolate with its
breakfastless table, usually so cosy with its steaming samovar. As
a rule they are at this time in St. Petersburg where, though Irina
stays quietly all day in an upper room, except when attending church
services, she can at least look out upon all the coming and going on
the river and the Nevski Prospect. But this year Andrei the steward
is raising questions about the plans and locations for new stables
and barns, so they are here where everything is depressingly still
and silent, and upstairs her father and mother are praying in their
rooms. So she puts on fur-lined boots, a long fur coat with deep
collar, and a fur cap which comes well down over the forehead, and
once outside the house finds herself in the thick forest. Further on
she comes to a frozen river, and fast-days and solemn services are
all forgotten, for there are her two fur-wrapped brothers busy with
a little sledge. The red scarves of the boys are taken for guiding
reins, and far along the ice for two hours or more she drives her
team. They have passed beyond the forest and out upon the steppes,
where for miles ahead no trees are to be seen except where willows
mark the curve of the river, or a few stunted saplings show black
against the snow. On one side is a long, low sheepfold belonging to
Irina’s father, and out comes the shepherd with a clamor of dogs.
He has no chairs, so he throws down three heaps of clean straw for
the children to sit on; and he, too, forgets that it is a fast-day
as he reaches cakes of dark brown bread from a shelf below the tiny
square window, and pours for them cups of goats’ milk. Black crust
and all—it goes quickly, and then they rest and stroke the half-tamed
sheep that come to nibble the straw while the shepherd tells the
children stories. He cannot read, to be sure, but when he was a
boy his old grandmother told them to him. Perhaps, because it is the
Christmas season, he tells them of the old woman whom the Russians
call Babouscka and the Italians Befana. Irina’s favorite is one that
would remind you of Cinderella, although the fairy godmother is much
more like an old witch; and as the children start off for home they
wonder a little fearfully if this forest is not very like the one in
the shepherd’s story.
[Illustration: three boys]
Public-domain text, read in full here on John Shaqi.
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