The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
Above all I was afraid of being carried away. Whether I was walking
along the street, or working, or talking to the other fellows, I
was all the time thinking of one thing only, of going in the evening
to see Mariya Viktorovna and was picturing her voice, her laugh,
her movements. When I was getting ready to go to her I always spent
a long time before my nurse's warped looking-glass, as I fastened
my tie; my serge trousers were detestable in my eyes, and I suffered
torments, and at the same time despised myself for being so trivial.
When she called to me out of the other room that she was not dressed
and asked me to wait, I listened to her dressing; it agitated me,
I felt as though the ground were giving way under my feet. And when
I saw a woman's figure in the street, even at a distance, I invariably
compared it. It seemed to me that all our girls and women were
vulgar, that they were absurdly dressed, and did not know how to
hold themselves; and these comparisons aroused a feeling of pride
in me: Mariya Viktorovna was the best of them all! And I dreamed
of her and myself at night.
One evening at supper with the engineer we ate a whole lobster As
I was going home afterwards I remembered that the engineer twice
called me "My dear fellow" at supper, and I reflected that they
treated me very kindly in that house, as they might an unfortunate
big dog who had been kicked out by its owners, that they were amusing
themselves with me, and that when they were tired of me they would
turn me out like a dog. I felt ashamed and wounded, wounded to the
point of tears as though I had been insulted, and looking up at the
sky I took a vow to put an end to all this.
The next day I did not go to the Dolzhikov's. Late in the evening,
when it was quite dark and raining, I walked along Great Dvoryansky
Street, looking up at the windows. Everyone was asleep at the
Azhogins', and the only light was in one of the furthest windows.
It was Madame Azhogin in her own room, sewing by the light of three
candles, imagining that she was combating superstition. Our house
was in darkness, but at the Dolzhikovs', on the contrary, the windows
were lighted up, but one could distinguish nothing through the
flowers and the curtains. I kept walking up and down the street;
the cold March rain drenched me through. I heard my father come
home from the club; he stood knocking at the gate. A minute later
a light appeared at the window, and I saw my sister, who was hastening
down with a lamp, while with the other hand she was twisting her
thick hair together as she went. Then my father walked about the
drawing-room, talking and rubbing his hands, while my sister sat
in a low chair, thinking and not listening to what he said.
Public-domain text, read in full here on John Shaqi.
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