The Christmas Kalends of Provence: And Some Other Provençal FestivalsJanvier, Thomas A. (Thomas Allibone)
General
The Christmas Kalends of Provence: And Some Other Provençal Festivals
Janvier, Thomas A. (Thomas Allibone)
Christmas -- France -- Provence; Festivals -- France -- Provence; Provence (France) -- Social life and customs
Following came the main offering: a spotless lamb. Most originally, and
in a way poetically, was this offering made. Drawn by a mild-faced ewe,
whose fleece had been washed to a wonder of whiteness and who was decked
out with bright-coloured ribbons in a way to unhinge with vanity her
sheepish mind, was a little two-wheeled cart--all garlanded with laurel
and holly, and bedizened with knots of ribbon and pink paper roses and
glittering little objects such as are hung on Christmas-trees in other
lands. Lying in the cart placidly, not bound and not in the least
frightened, was the dazzlingly-white lamb, decked like the ewe with
knots of ribbon and wearing about its neck a red collar brilliant to
behold. Now and then the ewe would turn to look at it, and in response
to one of those wistful maternal glances the little creature stood up
shakily on its unduly long legs and gave an anxious baa! But when a
shepherd bent over and stroked it gently, it was reassured; lying down
contentedly again in its queer little car of triumph, and thereafter
through the ceremony remaining still. Behind the car came ten more
shepherds; and in their wake a long double line of country-folk, each
with a lighted candle in hand. There is difficulty, indeed, in keeping
that part of the demonstration within bounds, because it is esteemed an
honour and a privilege to walk in the procession of the offered lamb.
Slowly that strange company moved toward the altar, where the
ministering priest awaited its coming; and at the altar steps the
bearers of the fruit and the doves separated, so that the little cart
might come between them and their offering be made complete, while the
other shepherds formed a semi-circle in the rear. The music was stilled,
and the priest accepted and set upon the altar the baskets; and then
extended the paten that the shepherds, kneeling, might kiss it in token
of their offering of the lamb. This completed the ceremony. The
_tambourin_ and _galoubet_ and _palets_ and _carlamuso_ all together
struck up again; and the shepherds and the lamb's car passed down the
nave between the files of candle-bearers and so out through the door.
Within the past sixty years or so this naive ceremony has fallen more
and more into disuse. But it still occasionally is revived--as at
Barbentane in 1868, and Rognonas in 1894, and repeatedly within the past
decade in the sheep-raising parish of Maussane--by a cure who is at one
with his flock in a love for the customs of ancient times. Its origin
assuredly goes back far into antiquity; so very far, indeed, that the
airs played by the musicians in the procession seem by comparison quite
of our own time: yet tradition ascribes the composition of those airs to
the good King Rene, whose happy rule over Provence ended more than four
centuries ago.
Public-domain text, read in full here on John Shaqi.
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