“‘Henry,’ I sais, lookin’ right inter his eyes--it was moonlight an’
I could almost read his thots, ’Henry, it seems to me like you’ve ben
thinkin’ more ’an usual o’ Melissy lately.’
“‘I was thinkin’ the same of you,’ sais he.
“‘You’re right,’ I answers. ‘But I won’t treat no buddy o’ mine mean.’
“‘An’ the same with me,’ sais he.
“We was quiet a piece. Then I sais, ’Henry, ef ever I finds I can’t stand
it no longer I’ll tell you.’
“‘An’ ef ever I gits the same way I’ll tell you,’ sais he.
“We shook hands an’ went home.
“I s’pose things ’ud ’a’ gone on ez they was fer a good many year hed
not a young town felly from up the walley come drivin’ down in slick
clothes an’ in a slick buggy. You uns hev all heard the old sayin’ that
it ain’t the clothes that makes the man. Ye never heard the proverb that
it ain’t the paint that makes the house, did ye? I guess ye didn’t, yit
it’s jest ’bout ez sensible. It ain’t the paint that makes the house,
but it’s the paint that keeps the boards from rottin’ an’ the hull thing
from fallin’ to pieces out o’ pure bein’ ashamed o’ itself. Solerman was
the wisest man that ever lived, yit the Bible sais that he allus run to
fine raiment. He hed a thousand an’ odd wives an’ knowd well enough that
he wouldn’t hev no peace with ’em ef he run ’round in his bare feet an’
overalls. ’Hen the Queen o’ Sheby called on him ye can bet your bottom
dollar she didn’t find him settin’ on the throne with a hickory shirt
’thout no collar, an’ his second-best pants held up be binder-twine
galluses.”
The old man had been talking very fast and was out of breath. He paused
to gather the threads of his story.
The School Teacher seized the opportunity to remark: “An’ yet Solerman in
all his glory was restless an’ unhappy.”
“He knowd too much,” drawled the Loafer, looking up from his stick. “An’
Gran’pap, with all of his wisdom, with all the good uns he sayd, Solerman
never knowd what it was to light his ole pipe an’ set plumb down on the
wood-pile an’ play with the dog. Why, he’d sp’iled his gown.”
Public-domain text, read in full here on John Shaqi.
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