The Chronicles of Aunt Minervy AnnHarris, Joel Chandler
General
The Chronicles of Aunt Minervy Ann
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“I tell you de trufe, suh, whiles you could count ten you might ’a’ pusht
me over wid a straw, an’ den, suh, my dander ’gun ter rise. I must ’a’
show’d it in my looks, ’kaze Marse Tumlin laid his han’ on my shoulder
an’ say, ‘Don’t kick up no racket, Minervy Ann; you got Hamp right whar
you want ’im. You know what we come fer.’ Well, suh, I hatter stan’ dar
an’ swaller right hard a time er two, ’kaze I ain’t got no use fer
mulatters; to make um, you got ter spile good white blood an’ good nigger
blood, an’ when dey er made dey got in um all dat’s mean an’ low down
on bofe sides, an’ ef dey yever is ter be saved, dey’ll all hatter be
baptize twice han’ runnin’—once fer de white dat’s in um, and once fer de
black. De Bible mayn’t sesso, but common-sense’ll tell you dat much.
“Well, suh, I stood dar some little time watchin’ Hamp’s motions, an’ he
wuz makin’ sech a big fool er hisse’f dat I des come mighty nigh laughin’
out loud, but all dat time Marse Tumlin had de idee dat I wuz mad, an’
when I start to’rds Hamp, wid my pairsol grabbed in de middle, he ’low,
‘Min’ yo’ eye, Minervy Ann.’ I walk up, I did, an’ punch Hamp in de back
wid de pairsol. Ef I’d ’a’ hit ’im on de head wid a pile-driver, he
couldn’t ’a’ been mo’ dum’founder’d. He look like he wuz gwine th’oo’ de
sidewalk. I say, ‘When you git time, I’d like ter have a little chat wid
you.’ He ’low, ‘Why, why’—an’ wid dat he stuck de lit een’ er his segyar
in his mouf. Well, suh, you may b’lieve you done seed splutterin’ an’
splatterin’, but you ain’t never seed none like dat. He made a motion,
Hamp did, like he wanter make me ’painted wid de mulatter gals, but I
say, ‘When you git time fum yo’ Legislatur’, I got a sesso fer you ter
hear.’
“Wid dat, suh, I turn ’roun’ an’ cross de street an’ foller on atter
Marse Tumlin an’ Marse Bolivar. I ain’t mo’n git ’cross, ’fo’ here come
Hamp. He ’low, ‘Why, honey, whyn’t you tell me you wuz comin’? When’d you
come?’ I say, ‘Oh, I’m _honey_, is I? Well, maybe you’ll fin’ a bee in de
comb.’ He ’low, ‘Whyn’t you tell me you wuz comin’ so I kin meet you at
de train?’ I say, ‘I wanter see what kinder fambly you got in dis town.
An’ I seed it! I seed it!’
“Well, suh, I ’speck I’d ’a’ got mad ag’in, but ’bout dat time we cotch
up wid Marse Tumlin an’ Marse Bolivar. Marse Tumlin turn ’roun’, he did,
an’ holler out, ‘Well, ef here ain’t Minervy Ann! What you doin’ up here,
an’ how did you lef’ yo’ Miss Vallie?’ He shuck han’s des like he ain’t
see me befo’ in a mont’, an’ Marse Bolivar done de same. I humor’d um,
suh, but I ain’t know what dey wuz up ter fer long atterwards. Dey don’t
want Hamp ter know dat I come ’long wid um. Den dey went on, an’ me an’
Hamp went ter whar he stay at.
Public-domain text, read in full here on John Shaqi.
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