The Chronicles of Aunt Minervy AnnHarris, Joel Chandler
General
The Chronicles of Aunt Minervy Ann
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“Well, suh, I know in reason dat de een’ er dat business ain’t come. You
know how our white folks is; you kin spit in one man’s face an’ he not
take it up, but some er his kinnery er his frien’s is sho ter take it
up. So I say ter myse’f, ‘Look here, nigger ’oman, you better keep yo’
mouf shot an’ bofe eyes open, kaze dey gwine ter be hot times in deze
diggin’s.’ When I come ter look at um, suh, my ginger-cakes wa’n’t hurt,
an’ de chicken-pie wuz safe an’ soun’ ’cep’ dat er little er de gravy had
sorter run out. When I git thoo brushin’ an’ cleanin’ um, I look up, I
did, an’ dar wuz Marse Bolivar Blasengame walkin’ up an’ down right close
at me. You oughter know ’im, suh, him an’ Marse Tumlin married sisters,
an’ dey wuz ez thick ez two peas in a pod. So I ’low, ‘Won’t you have a
ginger-cake, Marse Bolivar? I’d offer you de pie, but I’m savin’ dat fer
Miss Vallie.’ He say he don’t b’lieve his appetite run ter cakes an’ pies
right dat minnit. Dat make me eye ’im, suh, an’ he look like he mighty
glum ’bout sump’n. He des walk up an’ down, up an’ down, wid his han’s in
his pockets. It come back ter me atterwards, but I ain’t pay no ’tention
den, dat de folks all ’roun’ town wuz kinder ’spectin’ anudder fuss. Dey
wuz all standin’ in clumps here an’ dar, some in de middle er de street,
an’ some on de sidewalks, but dey wa’n’t nobody close ter me ’cep’ Marse
Bolivar. Look like dey wuz givin’ us elbow room.
[Illustration: “An’ he sot dar, suh, wid his haid ’twix’ his han’s fer I
dunner how long.”]
“De bigges’ clump er folks, suh, wuz down at de public well, at de fur
side er de squar’, an’ I notice dey kep’ movin’, now dis way, an’ now
dat, sorter swayin’ like some un wuz shovin’ um ’bout an’ pushin’ um
’roun’. An’ dat des de way it wuz, ’kaze ’twa’n’t long ’fo’ somebody
broke loose fum um an’ come runnin’ to’rds whar I wuz settin’ at.
“I know’d in a minnit, suh, dat wuz Bill-Tom Birch. He wuz holdin’ his
han’ on his wes’cut pocket fer ter keep his watch fum fallin’ out. He
come runnin’ up, suh, an’ he wuz so mad he wuz cryin’. His face wuz
workin’ des like it hurted ’im. He holler at me. ‘Is you de——?’ I won’t
name de name what he call me, suh. But I know ef he’d ’a’ been a nigger
I’d ’a’ got up fum dar an’ brained ’im. I ain’t say nothin’. I des sot
dar an’ look at ’im.
“Well, suh, he jerk a cowhide fum under his cloze—he had it run down his
britches leg, an’ say, ‘I’ll show you how you _erfuse_ ter sell pies when
a gemman want ter buy um.’ I dunner what I’d ’a’ done, suh, ef he’d ’a’
hit me, but he ain’t hit me. Marse Bolivar walk right ’twix’ us an’ ’low,
‘You’ll settle dis wid me, right here an’ now.’ Wid dat, Bill-Tom Birch
step back an’ say, ‘Colonel, does you take it up?’ Marse Bolivar ’low,
‘Dat’s what I’m here fer.’ Bill-Tom Birch step back a little furder and
make as ef ter draw his pistol, but his han’ ain’t got ter his pocket
’fo’ _bang!_ went Marse Bolivar’s gun, an’ down went Bill-Tom Birch, des
like somebody tripped ’im up.
Public-domain text, read in full here on John Shaqi.
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