The Churches of Coventry: A Short History of the City & Its Medieval RemainsWoodhouse, Frederic W.
History
The Churches of Coventry: A Short History of the City & Its Medieval Remains
Woodhouse, Frederic W.
Churches -- England -- Coventry; Coventry (England) -- History
On the east side of the tower wall can be seen the line of the
original roof, showing the height before the rebuilding in 1391.
Although there is space for larger windows the aisle roof prevented
their sills being brought lower. The west arch of the south arcade has
been forced out of shape by the pressure of the tower piers and
arches; certainly the piers, which are little more than 4 feet square,
seem slender enough for the support of so lofty a steeple.
Attached to this south-east tower pier is the stone pulpit, one of the
two special glories of the church, the other being the brass eagle.
The pulpit is either contemporary with the pier or nearly so. There is
apparently some difference in the texture and colour of the stone, but
as it is probable that a finer-grained stone would be chosen for work
of this character, this need not imply a difference of date. It was,
however, probably added at the same time as the nave clearstory. The
authors of "English Church Furniture" assign it to 1470.[7] Before
1833 (when restored by Rickman) it had been hidden from sight by
wood-work and a clerk's desk at a lower level. The lower part is
boldly corbelled out and the junction of the octagon with the pier
shafts is well managed, but the upper open-panelled part is rather too
definitely cut off from the lower by the battlemented cornice. Very
few examples of this class of pulpit exist in England, and none equal
in importance.
The eagle =lectern= is a magnificent example of brass casting. It is
generally attributed to the late fifteenth century. This eagle
narrowly escaped being sold by the Puritans for old brass, as happened
to that of St. Michael's. It closely resembles one belonging to St.
Nicholas' Chapel, Lynn, save that the latter is not equal in
refinement of detail and proportion, and the bird is less vigorous in
pose and modelling. In 1560 there was "paid for skowring ye Egle and
candell styckes, _10d._," and "for mending of ye Egle's tayle, _16d._"
[Illustration: PULPIT.]
At least nine chapels and fifteen altars are known to have existed in
the church. The present choir vestry on the north side was the Lady
Chapel. A simple piscina on the south side, about a foot above the
present floor, shows that the old floor level was much lower.
The =north aisle= is lofty and has a clearstory of three windows over
the arcade. In the outer aisle was located Marler's, or the Mercers',
Chapel, founded in 1537, and beneath it is a crypt or charnel house,
now closed save for small ventilating openings.
[Illustration: ARCHWAY BETWEEN THE NORTH PORCH AND ST. THOMAS'S
CHAPEL.]
The black oak roof of low pitch has the panels of the western bay only
richly carved with vine leaves and grapes. Its date is, perhaps, as
late as the foundation of the chantry. The piscina is in the north
wall.
Public-domain text, read in full here on John Shaqi.
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