An engraved brass to John Whithead, who died in 1597, is interesting for the sake of the costumes of himself and his two wives. Three stone coffins have also been deposited here, and two sheets of lead from the roof recording, in fine bold lettering, the repairs executed in 1660 and 1728. In the middle window on the north side are the only remaining fragments of ancient glass. As late as 1779 there were "portraits" of Earl Leofric and the Countess, and also, it is said, a smaller figure of the lady in a yellow dress on a white horse. Part of a small figure holding a spray of leaves and part of a galloping horse are pointed out as the remains of this. To the writer the figure appears to be clearly that of a man, and the horse and rider's leg not to have belonged to it. The modern stained glass is very unequal in character, and some is very poor indeed. The windows at the west, especially one in memory of Mr. Wm. Chater, a late organist, may be regarded as exceptions. There are still, fortunately, many which are not filled with pious memorials. The =font= is the original pre-Reformation one of the fifteenth century, which was removed by the Puritans in 1645 (though devoid of sculpture) and brought back after the Restoration. It stands on three steps, is panelled on bowl and stem, and rather brilliantly adorned with gold and colour. The south aisle was no doubt divided into two chapels, that on the west belonging to the Barkers' or Tanners' Gild. A small piscina against the south wall indicates the position of its altar. The wall below the windows is recessed so as to form a seat the whole length of the aisle. The =south transept=, containing the Corpus Christi and Cellet's chantries, has lost its original character completely. The piscina, high up on the south wall, shows that the floor level was some 9 feet above that of the church. The reason for this has been already explained. The organ chamber is quite modern. The best authorities place the chapel of the Butchers' Gild in the south aisle of the chancel, but do not say to whom the eastern chapel in the nave aisle belonged. It is known that there was a Jesus Chapel, and, in view of the proximity of Jesus Hall, it is believed by some that this was its position. The present clergy vestry is a fine room, having an excellent dark oak roof with heavy beams and well carved bosses at the intersections of the timbers. The Royal Arms over the fireplace were painted there in 1632. Although usual, the placing of the king's arms in churches was not compulsory until the Restoration; few earlier now remain, and this placing of them in the vestry rather than the body of the church is suggestive of a compromise between opposing factions. A portrait of Walter Farquhar Hook, Vicar from 1828-37 and afterwards Dean of Chichester is hung here. It seems probable that this was a chapel, perhaps that of the Holy Trinity, to whom an altar was dedicated.