In 1234, eleven years after their first coming into England, the Franciscan Friars are heard of at Coventry, Ranulph, Earl of Chester, having granted them land for their oratory, and the Sheriff of Warwickshire, on behalf of the King, giving them shingles from the woods of Kenilworth wherewith to cover it. In 1359 the Black Prince, then owner of the Manor and Park of Cheylesmore, just outside the walls of the city and adjacent to their convent, granted them so much stone from his quarry there, "as they should have occasion to use about their buildings and walls," and probably at this time the church, of which Christ Church spire is a remnant, was built. At the same time he gave them "liberty to have a postern into the Park to carry out any of their convent that should be diseased." The house was surrendered to the King in 1539, the warden and ten brethren being compelled to sign a humiliating document, in which they professed to "profoundly consider that the perfection of Christian living doth not consist in dumb ceremonies, wearing of a grey coat, disguising ourself after strange fashions, ducking, nodding and becking, in girding our selves with a girdle full of knots and other like Papisticall ceremonies." [Illustration: THE SPIRE OF CHRIST CHURCH.] It is certain at least that they had no accumulated wealth. Whatever they had received had been distributed for the advantage of the Church or the poor. At their suppression they had neither lands, tenements, nor other possessions, save their church and house and the land these stood on. The site was granted to the city and the buildings thrown down, only the spire with its supporting walls and arches being allowed to stand until 1829, when it was incorporated with the new nave of Christ Church from the designs of Rickman, to whom we are indebted for the first comprehensive and systematic account of English Mediæval architecture. The work shows how imperfectly in those days even a genuine admirer of Mediæval Art understood its spirit. Unfortunately the tower and spire were recased with new stone, and the original character of the work largely disappeared. The total height is 204 feet, exclusive of the vane. The plan of the old church was interesting, especially in the arrangement of the crossing. The short transepts had little real relation to choir or nave, which were almost completely separated from one another, the nave being intended for the use of the public. The narrowing of the tower from east to west, and the insertion of secondary north and south arches to carry the slender octagonal tower is unusual and ingenious. The whole length was 250 feet, and the transepts were 96 feet from north to south. The nave and choir differed little in length. [Illustration: GREY FRIARS' CHURCH (CROSSING).] The connection of the Franciscans with the production of the Mysteries, or sacred plays, should not pass unnoticed. Dugdale, who had spoken with eye witnesses, thus alludes to the subject: