The circuit rider : $b A tale of the heroic ageEggleston, Edward
History
The circuit rider : $b A tale of the heroic age
Eggleston, Edward
Christian fiction; Circuit riders -- Fiction; Social problems -- Fiction; West (U.S.) -- History -- 19th century -- Fiction
Morton on his part was at the same time endeavoring to plan his own
and Patty's partnership future, but he drew a more cheerful picture
than she did, for he had no longer any reason to fear Captain
Lumsden's displeasure. He was at the moment going to meet the
Captain, walking down the foot-path through the woods, kicking the
dry beech leaves into billows before him and singing a Scotch
love-song of Burns's which he had learned from his mother.
He planned one future, she another; and in after years they might
have laughed to think how far wrong were both guesses. The path
which Morton followed led by the spring-house, and Patty, standing on
the stones inside, caught the sound of his fine baritone voice as he
approached, singing tender words that made her heart stand still:
"Ghaist nor bogle shalt thou fear;
Thou'rt to love and heaven sae dear
Nocht of ill shall come thee near,
My bonnie dearie."
And as he came right by the spring-house, he sang, now in a lower
tone lest he should be heard at the house, but still more earnestly,
and so audibly that the listening Patty could hear every word, the
last stanza:
"Fair and lovely as thou art,
Thou hast stown my very heart;
I can die--but cannot part,
My bonnie dearie."
And even as she listened to the last line, Morton had discovered that
the spring-house door was ajar, and turned, shading his eyes, to see
if perchance Patty might not be within. He saw her and reached out
his hand, greeting her warmly; but his eyes yet unaccustomed to the
imperfect light did not see how full of blushes was her face--for she
feared that he might guess all that she had just been dreaming. But
she was resolved at any rate to show him more kindness than she would
have shown had it not been for the displeasure which she supposed her
father had manifested. And so she covered the last crock and came
and stood by him at the door of the spring-house, and he talked right
on in the tender strain of his song. And she did not protest, but
answered back timidly and almost as warmly.
And that is how little negro Bob at last found Patty at the
spring-house and found Morton with her. "Law's sake! Miss Patty,
done look for ye mos' every whah. Yer paw wants ye." And with that
Bob rolled the whites of his eyes up, parted his black lips into a
broad white grin, and looked at Morton knowingly.
_CHAPTER XI._
THE VOICE IN THE WILDERNESS.
Public-domain text, read in full here on John Shaqi.
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