The Circus, and Other Essays and Fugitive PiecesKilmer, Joyce
History
The Circus, and Other Essays and Fugitive Pieces
Kilmer, Joyce
American essays; Literature -- History and criticism
These evanescent bits of glory lent special delight to aerial
journeyings for weeks after Christmas. For, in defiance of the Twelfth
Night convention, certain citizens were wont to keep their Christmas
trees in place until February. And, in the opinion of the tenants of the
third stories of the tenements (apartment houses is the more courteous
word) which bordered the elevated, the place of the Christmas tree was
close up against the front window, where all the world could enjoy its
green and gold and red.
Like nearly all genuine vulgar customs (vulgar is used in its most
honorable sense) this habit of showing the public the home's chief
splendor was (or is, for undoubtedly firs dressed for holiday still
brighten some lower Sixth Avenue windows) based on generous courtesy. It
was not possible for Mr. Tenement to keep open flat, so to speak, at
Christmas time; to summon all Sixth Avenue in to partake of a bowl of
wassail that steamed upon his gas range. But he performed all the
hospitality that his ungentle residence allowed; he placed his bit of
greenwood with its cardboard angel, its red paper bells, and its strings
of tinsel, where it would give to the greatest possible number the same
delight that it gave to its owner.
It is, you observe, in your own psychological way, the Rogers Group
principle. Your grandmother put "Going for the Cows," you remember, on
the marble top of the walnut table by the window in the front parlor.
The Nottingham lace curtains were parted just above the head of the boy
who was urging the dog after the woodchuck. And everybody who went up
or down Maple Avenue got a good view of that masterpiece of realism.
Therein your grandmother showed truer courtesy than did you when you put
Rodin's "Le Baiser" in that niche above the second landing of your
stairway.
The same quality of almost quixotic generosity is suggested by the
composition of the old-fashioned holly wreaths, which, hung in the
windows, showed to passers-by lustrous green leaves and scarlet berries,
and to those who hung them only a circle of pale stems and wire. Even
the lithographers maintain this courteous tradition; they stamp their
cardboard holly wreaths on only one side. And this is the side which is
to face the street.
Well, these fenestral firs and hollies exist, and they are among the
numerous joys of the days that follow Christmas. These post-Christmas
days shine with a light softer, but perhaps more comfortable, than that
of the great feast itself.
Public-domain text, read in full here on John Shaqi.
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