"There are columns that, in my opinion, have more beauty than those Maybeck used. But that's a matter of taste. In themselves those columns are fine and they blend into impressive masses. That altar under the dome, with the kneeling figure, only a great artist could have conceived in just that way. Ralph Stackpole, the sculptor of the figure, worked it out in perfect harmony with Maybeck's idea. To appreciate his skill one ought to get close and see how roughly it has been modeled in order that the lines should be clear and yet give an effect of delicacy across the lagoon. And those trees along the edge of the lagoon, how gracefully they are planted, in the true Greek spirit. The lines in front of the rotunda are all good, as they run down to the water's edge. And how richly McLaren has planted the lagoon. He has given just the luxuriance that Maybeck wanted." The Western Wall We turned to get the effect of the western wall looking out on this magnificence. "Faville has done some of his finest work there. All over the Exposition he has expressed himself; but as his name is not connected with one of the great courts we don't hear it very much. When he tackled the Western Wall he had one of the hardest of his problems. There was a big expanse to be made interesting and impressive, without the aid of towers or courts. It was a brilliant idea to break the monotony with those two splendid Roman half-domes." The figure of "Thought" on the columns in front of the Dome of Plenty and repeated on the Dome of Philosophy started the architect talking on the subject of character and art. "Only a sculptor with a very fine nature could have done that fellow up there. In that design Stackpole shows the qualities that he shows in the kneeling girl at the altar in the rotunda across the lagoon and in his figure of the common laborer and the little group of artisans and artists that we shall see on the doorway of the Varied Industries. They include fineness and cleanness of feeling, reverence and tenderness. This particular figure is one of three figures on the grounds that stand for virtually the same subject, Rodin's "Thinker," in the courtyard of the French Building, and Chester Beach's "Thinker," in the niches to the west and east of the tower in the Court of the Ages. They are all different in character. Stackpole's gives the feeling of gentle contemplation. That man might be a poet or a philosopher or an inventor; but a man of the kind of thought that leads to action or great achievement in the world - never. You can't think of him as competing with his whole heart and soul in order to get ahead of other men. However, it would be an achievement just to be that type and it's a good type to be held up to us for our admiration, better than the conventional ideal of success embodied in the Adventurous Bowman, for example."