The City of Pleasure : $b a fantasia on modern themes — John Shaqi
The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“Ah!” he sighed, evidently speaking to himself. “I had done with all
that, and now I must begin again. My instincts will inevitably drive me
to begin again. My dear people”--he surveyed his two companions with an
acid and distant stare--“instead of saving life, you have only set in
motion a chain of circumstances that will lead to the loss of it. Murder
and the scaffold will probably be the net result of your officious
zeal.”
There was a rap on the bedroom door.
“Five minutes to eight, sir,” called a voice.
“Right,” said Carpentaria, getting up; and to Mr. Jetsam, “I will see
you after the concert.”
“I doubt it,” said Mr. Jetsam.
“Why not?”
“Because I shall be gone. I am feeling quite strong.”
35
“I should like to talk to you about certain people,” pursued
Carpentaria.
“Who?”
“Well, Josephus Ilam.”
“I know all about Josephus Ilam.”
“And his mother. Perhaps you don’t know all about his mother.”
Mr. Jetsam jumped to his feet with singular agility.
“Mrs. Ilam! She’s been dead for years,” he said gravely.
“She was very much alive this morning,” replied Carpentaria.
“He told me she was dead,” Jetsam muttered.
“He lied. She is in the bungalow opposite.”
“Oh!” Jetsam breathed, and he seemed to breathe the breath out of his
body. He swayed and fell back into the chair.
“By Jove! He’s fainted!” exclaimed Rivers.
“Look after him,” said Carpentaria, and flew downstairs and towards his
bandstand.
CHAPTER XII--On the Wheel
The concert was over. If it had been as great a triumph as usual--and
it had--the reasons were perhaps that nothing succeeds like success, and
that the Carpentaria band was so imbued with the spirit of Carpentaria
that it would have played in the Carpentaria manner even had the
shade of Beethoven come down to conduct it. Certainly Carpentaria’s
performances with the baton, though wild and bizarre, lacked that
sincerity and that amazing invention which usually distinguished them.
He had too much to think about. There was the possibility of getting
shot as he stood there. There was the possibility of being poisoned at
his next meal. There was the possibility of some fearful complication
with Juliette and Ilam. There was the positive mystery of Ilam himself.
There was the comparative mystery of Ilam’s mother. And there was the
superlative mystery of Mr. Jetsam. Under these circumstances, with all
these pre-occupations, the plaudits of a hundred thousand people did not
particularly interest Carpentaria that night. His chief desire was to
get back to Mr. Jetsam, and to extract Mr. Jetsam’s secrets out of Mr.
Jetsam either by force, by fraud, or by persuasion. As he was bowing
languidly for the nineteenth time, and the entire orchestra was bowing
behind him, amid a hurricane of clapping, he thought to himself:
“It’s a good thing I’m not in love! It would only need that, in addition
to what I already have on my hands, to drive me crazy!”
Public-domain text, read in full here on John Shaqi.
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