The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“Where is Mr. Ilam?” Carpentaria asked again.
The Soudanese smiled.
They stood at the foot of the giant wheel, all of whose sixty cars were
in darkness save one, and this car was at the bottom, and its door was
open. Near the door stood a single official in the uniform of the City.
Carpentaria began to be puzzled.
“Mr. Ilam at the top?” he asked the official.
“I think so, sir,” said the official, after hesitating.
Carpentaria went into the car. The Soudanese shut the sliding door,
remaining himself outside. The official blew a whistle, and the giant
wheel began slowly to revolve with a terrific vibration and straining
of chains and rods. The car was designed to hold sixty people--when the
giant wheel was in full work it earned a hundred and eighty pounds per
revolution--and Carpentaria felt lonely in it. “Is this some trap?” his
thoughts ran; and he said to himself that he didn’t care whether it was
a trap or not. As the car rose in the sky he had a superb view of the
fireworks, which were now in full career--an immense and glittering
tapestry of changing coloured flame, reflected hue for hue and tint
for tint on the calm surface of the Thames beneath. And high above the
pyrotechnics lightning was beginning to play. The day had been hot, even
close, and it had been a pleasing surprise to the money-takers of the
City that rain had not fallen.
At last the wheel shuddered, shook, and stopped. The car was at the
summit, three hundred and forty feet above the level of the earth. A
figure appeared on the flying platform outside the car. The door was
opened, and Ilam entered.
“What’s the meaning of this?” Carpentaria demanded of him, standing up
suddenly, and instinctively feeling the handle of his revolver with his
right hand.
“It means that I wish to talk to you in private,” answered Ham,
emphasizing the last two words; “and there seems to me to be no place
particularly private down below now,” he added.
“What do you infer?”
“Perhaps I don’t quite know what I infer,” said Ilam. “All I can tell
you is that this City has been getting rather peculiar this last day or
two.”
“It has,” Carpentaria agreed pointedly.
“And as you went to the trouble of taking me up in that thing”--he
indicated overhead, where the captive balloon was darting a searchlight
to and fro across the expanse of the grounds--“I thought I’d go to the
trouble of bringing you up here. It’s safer.”
Carpentaria noticed how pale the man was, how changed his visage, and
how nervous his demeanour.
“I hope it is,” said Carpentaria. “What do you want?”
“Let’s sit down,” replied Ilam, clearing his throat, and they sat down
on opposite sides of the car. “I’ll explain what I want in three words.
How much will you take to clear out? I’m a plain man--how much will you
take to clear out?”
Public-domain text, read in full here on John Shaqi.
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