The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
The car whirled them to the other end of the City, and they began
systematically to do everything and to see everything that could be done
and seen, from the captive balloon (not that they did that--they were
content to see it) to the Soudanese native village, from the circus to
the exhibition relating to Woman, from the cricket field to the Freak
Show, and from the Art Galleries to the ladies’ afternoon-tea café. They
were in the ladies’ afternoon-tea café and paying for two pots of tea,
seven cakes, and an extra cream, just as the clock struck five. It then
occurred to them that a concert of military music began at precisely
five o’clock in the Oriental Gardens, and they decided to go and listen
to it, even though, sad to say, Carpentaria never conducted in person
till the evening.
They crossed the Central Way, and were strolling along the avenue to the
Gardens, when Pauline stopped.
“Well, I never!” she exclaimed.
“What is it?”
Coming down the steps of Ilam’s bungalow was the great Ilam himself, and
it was to Ilam she pointed.
“What shall we do?” whispered Rosie. “He’s lots older, isn’t he?... And
you said we shouldn’t meet him!”
They walked on, irresolute and blushing, and just as they arrived
opposite Ilam’s gate, with their eyes gazing studiously straight in
front of them, Ilam called out:
“Hi, there! Young ladies!”
Now, the avenue was generously sprinkled with people, but Pauline and
Rosie happened to be the only young ladies within hail, and to have
ignored such a loud and unmistakable appeal as Ilam’s would have drawn
down upon them more public attention than they desired. They therefore
stopped, still blushing, but delightfully blushing, and smiling with
that innate kindliness of heart which distinguished both of them. Rosie
spoke first. She was a woman, and had positively stated that under the
circumstances she should not speak. Hence, naturally, she spoke first.
“Good afternoon, cousin,” said she.
In her manner of pronouncing that word “cousin,” a non-committal manner,
a more-than-meets-the-eye manner, a defensive manner--in a word, a
family manner--she indicated a whole family history. When relatives who
are distant in more senses than one meet after a considerable period,
that particular manner is invariably employed by the one who speaks
first.
Public-domain text, read in full here on John Shaqi.
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