"Does that mean that I may take mine to-morrow?"
He was pressing her too hard. Why was he so anxious to see her, as he
had not been the first night or yesterday, or even ten minutes ago? She,
who, ten minutes ago, would have been glad, now was doing her best to
put him off. She was silent a moment, considering the conventions, and
then, like him, she abandoned them. Without a word she turned away from
him. Whatever she said, he had her. But, if she said nothing and still
he came to-morrow, whatever she did then, he would have to take the
consequences of his insistence. Her only desire now was to evade him,
lest he should force her out of her non-committal attitude. She wanted
to shield herself from further pursuit.
She couldn't escape yet, for the figures on the stage were still
gesticulating and trilling, and the people around her, in the small
inclosure where she sat, hemmed her in so that she could no more move
away from Kerr than if she had been that impaled specimen he had made
her feel at their first meeting. The most she could do was to turn away,
but even thus, with her eyes averted and her ears full of Ella's voice,
she was still acutely aware of him, sitting looking straight before him
across the black house with a face worn, wary, weathered to any
catastrophe, and such an air of being alertly fixed on something a long
way off, that her silence made no more difference to him than her
flutterings and her rudeness. And yet she knew he was only waiting;
waiting his chance to get at her again and make her commit herself; and
that, she was determined, should not happen.
What had already happened, through its very violence, had left an
impression like a dream. It seemed unreal, and yet it had made her
forget everything else--the stage, the people around her, and even the
very sapphire that had generated her inexplicable situation. She drew
her glove over the ring. The lights were imminent. It would be hard to
hide the great flash of the jewel. And besides, she didn't trust it. She
couldn't tell in what direction it might not strike out a spark of
horror next.
Public-domain text, read in full here on John Shaqi.
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