The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic MovementYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement
Yeats, W. B. (William Butler)
English literature -- Irish authors
rings down the curtain on his marriage bells. Men who would turn such a
man out of a club bring their wives and daughters to look at him with
admiration upon the stage, so demoralizing is a drama that has no
intellectual tradition behind it. I could not endure it, and went out
into the street and waited there until the end of the play, when I came
in again to find the friends I had brought to hear it, but had I been
accustomed to the commercial theatre I would not even have known that
anything strange had happened upon the stage. If a man of intellect had
written of such an incident he would have made his audience feel for
the mistress that sympathy one feels for all that have suffered insult,
and for that young man an ironical emotion that might have marred
the marriage bells, and who knows what the curate and the journalist
would have said of him? Even Ireland would have cried out: Catholic
Ireland that should remember the gracious tolerance of the Church when
all nations were its children, and how Wolfram of Eisenbach sang from
castle to castle of the courtesy of Parzival, the good husband, and
of Gawain, the light lover, in that very Thuringia where a generation
later the lap of St. Elizabeth was full with roses. A Connaught Bishop
told his people a while since that they ‘should never read stories
about the degrading passion of love,’ and one can only suppose that
being ignorant of a chief glory of his Church, he has never understood
that this new puritanism is but an English cuckoo.
AN IRISH NATIONAL THEATRE.
[The performance of Mr. Synge’s _Shadow of the Glen_
started a quarrel with the extreme national party, and
the following paragraphs are from letters written in
the play’s defence. The organ of the party was at the
time _The United Irishman_ (now _Sinn Fein_), but the
first severe attack began in _The Independent_. _The
United Irishman_, however, took up the quarrel, and
from that on has attacked almost every play produced
at our theatre, and the suspicion it managed to arouse
among the political clubs against Mr. Synge especially
led a few years later to the organised attempt to drive
_The Playboy of the Western World_ from the stage.]
Public-domain text, read in full here on John Shaqi.
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