The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and DhoyaYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya
Yeats, W. B. (William Butler)
English literature -- Irish authors
For the next few weeks Costello had no lack of news of Oona, for now
a woman selling eggs or fowls, and now a man or a woman on pilgrimage
to the Well of the Rocks, would tell him how his love had fallen ill
the day after St. John’s Eve, and how she was a little better or a
little worse, as it might be; and though he looked to his horses and
his cows and goats as usual, the common and uncomely, the dust upon the
roads, the songs of men returning from fairs and wakes, men playing
cards in the corners of fields on Sundays and Saints’ Days, the rumours
of battles and changes in the great world, the deliberate purposes of
those about him, troubled him with an inexplicable trouble; and the
country people still remember how when night had fallen he would bid
Duallach of the Pipes tell, to the chirping of the crickets, ‘The Son
of Apple,’ ‘The Beauty of the World,’ ‘The King of Ireland’s Son,’ or
some other of those traditional tales which were as much a piper’s
business as ‘The Green Bunch of Rushes,’ ‘The Unchion Stream,’ or ‘The
Chiefs of Breffeny’; and while the boundless and phantasmal world of
the legends was a-building, would abandon himself to the dreams of his
sorrow.
Duallach would often pause to tell how some clan of the wild Irish had
descended from an incomparable King of the Blue Belt, or Warrior of the
Ozier Wattle, or to tell with many curses how all the strangers and
most of the Queen’s Irish were the seed of the misshapen and horned
People from Under the Sea or of the servile and creeping Ferbolg;
but Costello cared only for the love sorrows, and no matter whither
the stories wandered, whether to the Isle of the Red Lough, where the
blessed are, or to the malign country of the Hag of the East, Oona
alone endured their shadowy hardships; for it was she and no king’s
daughter of old who was hidden in the steel tower under the water
with the folds of the Worm of Nine Eyes round and about her prison;
and it was she who won by seven years of service the right to deliver
from hell all she could carry, and carried away multitudes clinging
with worn fingers to the hem of her dress; and it was she who endured
dumbness for a year because of the little thorn of enchantment the
fairies had thrust into her tongue; and it was a lock of her hair,
coiled in a little carved box, which gave so great a light that men
threshed by it from sundown to sunrise, and awoke so great a wonder
that kings spent years in wandering or fell before unknown armies in
seeking to discover her hiding-place; for there was no beauty in the
world but hers, no tragedy in the world but hers: and when at last
the voice of the piper, grown gentle with the wisdom of old romance,
was silent, and his rheumatic steps had toiled upstairs and to bed,
and Costello had dipped his fingers into the little delf font of
holy water and begun to pray to Mary of the Seven Sorrows, the blue
eyes and star-covered dress of the painting in the chapel faded from
Public-domain text, read in full here on John Shaqi.
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