The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and DhoyaYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya
Yeats, W. B. (William Butler)
English literature -- Irish authors
For a moment the room appeared to darken, as it used to do when he was
about to perform some singular experiment, and in the darkness the
peacocks upon the doors seemed to glow with a more intense colour. I
cast off the illusion, which was, I believe, merely caused by memory,
and by the twilight of incense, for I would not acknowledge that he
could overcome my now mature intellect; and I said: ‘Even if I grant
that I need a spiritual belief and some form of worship, why should I
go to Eleusis and not to Calvary?’ He leaned forward and began speaking
with a slightly rhythmical intonation, and as he spoke I had to
struggle again with the shadow, as of some older night than the night
of the sun, which began to dim the light of the candles and to blot out
the little gleams upon the corner of picture-frames and on the bronze
divinities, and to turn the blue of the incense to a heavy purple;
while it left the peacocks to glimmer and glow as though each separate
colour were a living spirit. I had fallen into a profound dream-like
reverie in which I heard him speaking as at a distance. ‘And yet there
is no one who communes with only one god,’ he was saying, ‘and the
more a man lives in imagination and in a refined understanding, the
more gods does he meet with and talk with, and the more does he come
under the power of Roland, who sounded in the Valley of Roncesvalles
the last trumpet of the body’s will and pleasure; and of Hamlet, who
saw them perishing away, and sighed; and of Faust, who looked for
them up and down the world and could not find them; and under the
power of all those countless divinities who have taken upon themselves
spiritual bodies in the minds of the modern poets and romance writers,
and under the power of the old divinities, who since the Renaissance
have won everything of their ancient worship except the sacrifice of
birds and fishes, the fragrance of garlands and the smoke of incense.
The many think humanity made these divinities, and that it can unmake
them again; but we who have seen them pass in rattling harness, and
in soft robes, and heard them speak with articulate voices while we
lay in deathlike trance, know that they are always making and unmaking
humanity, which is indeed but the trembling of their lips.’
Public-domain text, read in full here on John Shaqi.
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