The Collected Works of Ambrose Bierce, Volume 10: The OpinionatorBierce, Ambrose
General
The Collected Works of Ambrose Bierce, Volume 10: The Opinionator
Bierce, Ambrose
American essays; American literature
Who can so relate a dream that it shall seem one? No poet has so light
a touch. As well try to write the music of an Æolian harp. There is a
familiar species of the genus Bore (_Penetrator intolerabilis_) who
having read a story—perhaps by some master of style—is at the pains
elaborately to expound its plot for your edification and delight; then
thinks, good soul, that now you need not read it. “Under substantially
similar circumstances and conditions” (as the interstate commerce law
hath it) I should not be guilty of the like offence; but I purpose
herein to set forth the plots of certain dreams of my own, the
“circumstances and conditions” being, as I conceive, dissimilar in
this, that the dreams themselves are not accessible to the reader. In
endeavoring to make record of their poorer part I do not indulge the
hope of a higher success. I have no salt to put upon the tail of a
dream’s elusive spirit.
I was walking at dusk through a great forest of unfamiliar trees.
Whence and whither I did not know. I had a sense of the vast extent
of the wood, a consciousness that I was the only living thing in it.
I was obsessed by some awful spell in expiation of a forgotten crime
committed, as I vaguely surmised, against the sunrise. Mechanically
and without hope, I moved under the arms of the giant trees along a
narrow trail penetrating the haunted solitudes of the forest. I came
at length to a brook that flowed darkly and sluggishly across my path,
and saw that it was blood. Turning to the right, I followed it up a
considerable distance, and soon came to a small circular opening in
the forest, filled with a dim, unreal light, by which I saw in the
center of the opening a deep tank of white marble. It was filled with
blood, and the stream that I had followed up was its outlet. All round
the tank, between it and the enclosing forest—a space of perhaps ten
feet in breadth, paved with immense slabs of marble—were dead bodies
of men—a score; though I did not count them I knew that the number
had some significant and portentous relation to my crime. Possibly
they marked the time, in centuries, since I had committed it. I only
recognized the fitness of the number, and knew it without counting. The
bodies were naked and arranged symmetrically around the central tank,
radiating from it like spokes of a wheel. The feet were outward, the
heads hanging over the edge of the tank. Each lay upon its back, its
throat cut, blood slowly dripping from the wound. I looked on all this
unmoved. It was a natural and necessary result of my offence, and did
not affect me; but there was something that filled me with apprehension
and terror—a monstrous pulsation, beating with a slow, inevitable
recurrence. I do not know which of the senses it addressed, or if
it made its way to the consciousness through some avenue unknown to
science and experience. The pitiless regularity of this vast rhythm was
maddening. I was conscious that it pervaded the entire forest, and was
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