The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
business and industry in their calling. For them the veil of the Temple
of Art is not rent asunder, and it is well: one glimpse of the
Sanctuary, of the Holy of the Holies, might palsy their hands, and dim
their sight for ever after!
I think there are two mistakes, common enough, on this subject; viz.
that men of genius, or of first-rate capacity, do little, except by
intermittent fits, or _per saltum_—and that they do that little in a
slight and slovenly manner. There may be instances of this; but they are
not the highest, and they are the exceptions, not the rule. On the
contrary, the greatest artists have in general been the most prolific or
the most elaborate, as the best writers have been frequently the most
voluminous as well as indefatigable. We have a great living instance
among writers, that the quality of a man’s productions is not to be
estimated in the inverse ratio of their quantity, I mean in the Author
of Waverley; the fecundity of whose pen is no less admirable than its
felicity. Shakespear is another instance of the same prodigality of
genius; his materials being endlessly poured forth with no niggard or
fastidious hand, and the mastery of the execution being (in many
respects at least) equal to the boldness of the design. As one example
among others that I might cite of the attention which he gave to his
subject, it is sufficient to observe, that there is scarcely a word in
any of his more striking passages that can be altered for the better. If
any person, for instance, is trying to recollect a favourite line, and
cannot hit upon some particular expression, it is in vain to think of
substituting any other so good. That in the original text is not merely
the best, but it seems the only right one. I will stop to illustrate
this point a little. I was at a loss the other day for the line in Henry
V.
‘_Nice_ customs curtesy to great kings.’
I could not recollect the word _nice_: I tried a number of others, such
as _old_, _grave_, &c.—they would none of them do, but seemed all heavy,
lumbering, or from the purpose: the word _nice_, on the contrary,
appeared to drop into its place, and be ready to assist in paying the
reverence required. Again,
‘A jest’s _prosperity_ lies in the ear
Of him that hears it.’
Public-domain text, read in full here on John Shaqi.
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