The collected works of William Hazlitt, Vol. 11 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 11 (of 12)
Hazlitt, William
English essays -- 19th century
‘The imagination that is raised in man (or any other creature endued
with the faculty of imagining) by words or other voluntary signs, is
that we generally call _Understanding_: and is common to man and beast.
For a dog by custom will understand the call or rating of his master,
and so will many other beasts. That understanding which is peculiar to
man, is the understanding not only his will, but his conceptions and
thoughts, by the sequel and contexture of the names of things into
affirmations, negations, and other forms of speech; and of this kind of
understanding I shall speak hereafter.’—Page 8.
As in the first two chapters Mr. Hobbes endeavours to show that all our
thoughts, considered singly or in themselves, have their origin in
sensation, so in the next chapter, he resolves all their combinations or
connexions one with another into the principle of association, or the
coexistence of their sensible impressions.
‘By consequence or train of thoughts,’ he says, ‘I understand that
succession of one thought to another, which is called (to distinguish it
from discourse in words) _mental discourse_.’
‘When a man thinketh on any thing whatsoever, his next thought after it
is not altogether so casual as it seems to be. Not every thought to
every thought succeeds indifferently. But as we have no imagination,
whereof we have not formerly had sense in whole or in parts; so we have
no transition from one imagination to another, whereof we never had the
like before in our senses. The reason whereof is this. All fancies are
motions within us, reliques of those made in sense: and those motions
that succeeded one another in the sense, continue also together after
sense: insomuch as the former coming again to take place, and be
predominant, the latter followeth, by coherence of the matter moved, in
such manner, as water upon a plane table is drawn which way any one part
of it is guided by the finger. But because in sense to one and the same
thing perceived, sometimes one thing, sometimes another succeedeth, it
comes to pass in time, that in the imagining of any thing, there is no
certainty what we shall imagine next. Only this is certain, it shall be
something that succeeded the same before, at one time or another.’—Page
9.
Public-domain text, read in full here on John Shaqi.
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