The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
In short, a man of rank and fortune takes the adventitious and
ornamental part of letters, the obvious, popular, fashionable, that
serves to amuse at the time, or minister to the cravings of vanity,
without laying a very heavy tax on his own understanding, or the
patience of his hearers. He furnishes his mind as he does his house,
with what is showy, striking, and of the newest pattern: he mounts his
_hobby_ as he does his horse, which is brought to his door for an
airing, and which (should it prove restive or sluggish) he turns away
for another; or like a child at a fair, gets into a round-about of
knowledge, till his head becomes giddy, runs from sight to sight, from
booth to booth, and like the child, goes home loaded with trinkets,
gewgaws, and rattles. He does not pore and pine over an idea (like some
poor hypochondriac) till it becomes impracticable, unsociable,
incommunicable, absorbed in mysticism, and lost in minuteness: he is not
upon oath never to utter anything but oracles, but rattles away in a
fine careless hair-brained dashing manner, hit or miss, and succeeds the
better for it. Nor does he prose over the same stale round of politics
and the state of the nation (with the coffee-house politician), but
launches out with freedom and gaiety into whatever has attraction and
interest in it, ‘runs the great circle, and is still at home.’ He is
inquisitive, garrulous, credulous, sanguine, florid,—neither pedantic
nor vulgar. Neither is he intolerant, exclusive, bigoted to one set of
opinions or one class of individuals. He clothes an abstract theory with
illustrations from his own experience and observation, hates what is dry
and dull, and throws in an air of high health, buoyant spirits, fortune
and splendid connections to give animation and vividness to what perhaps
might otherwise want it. He selects what is palpable without being gross
or trivial, lends it colour from the flush of success, and elevation
from the distinctions of rank. He runs on and never stops for an answer,
rather dictating to others than endeavouring to ascertain their
opinions, solving his own questions, improving upon their hints, and
bearing down or precluding opposition by a good-natured loquacity or
stately dogmatism. All this is perhaps more edifying as a subject of
speculation than delightful in itself. Shakspeare somewhere says—‘A
man’s mind is parcel of his fortunes,’—and I think the inference will be
borne out in the present case. I should guess that in the prevailing
tone of fashionable society or aristocratic literature would be found
all that variety, splendour, facility, and startling effect which
corresponds with external wealth, magnificence of appearance, and a
command of opportunity; while there would be wanting whatever depends
chiefly on intensity of pursuit, on depth of feeling, and on simplicity
and independence of mind joined with straitened fortune. Prosperity is a
great teacher; adversity is a greater. Possession pampers the mind;
Public-domain text, read in full here on John Shaqi.
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