The Collected Writing of Thomas De Quincey, Vol. IIDe Quincey, Thomas
History
The Collected Writing of Thomas De Quincey, Vol. II
De Quincey, Thomas
De Quincey, Thomas, 1785-1859; English literature -- 19th century
whim, a paradox, a bold extravagance, of the _Blackwood_ critics. Mr.
Wordsworth's neighbours in Westmoreland, who had (generally speaking) a
profound contempt for him, used to rebut the testimony of _Blackwood_
by one constant reply--"Ay, _Blackwood_ praises Wordsworth, but who
else praises him?" In short, up to 1820, the name of Wordsworth was
trampled under foot; from 1820 to 1830, it was militant; from 1830 to
1835, it has been triumphant. In 1803, when I entered at Oxford, that
name was absolutely unknown; and the finger of scorn, pointed at it in
1802 by the first or second number of the _Edinburgh Review_, failed to
reach its mark from absolute defect of knowledge in the public mind.
Some fifty besides myself knew who was meant by "that poet who had
cautioned his friend against growing double," etc.; to all others it
was a profound secret.
These things must be known and understood properly to value the
prophetic eye and the intrepidity of two persons, like Professor Wilson
and myself, who, in 1802-3, attached themselves to a banner not yet
raised and planted; who outran, in fact, their contemporaries by one
entire generation, and did _that_ about 1802 which the rest of the
world are doing in chorus about 1832.
Professor Wilson's period at Oxford exactly coincided with my own; yet,
in that large world, we never met. I know, therefore, but little of his
policy in regard to such opinions or feelings as tended to dissociate
him from the mass of his coëvals. This only I know, that he lived as
it were in public, and must, therefore, I presume, have practised a
studied reserve as to his deepest admirations; and, perhaps, at that
day (1803-8) the occasions would be rare in which much dissimulation
would be needed. Until Lord Byron had begun to pilfer from Wordsworth
and to abuse him, allusions to Wordsworth were not frequent in
conversations; and it was chiefly on occasions of some question
arising about poetry in general, or about the poets of the day, that
it became difficult to dissemble. For my part, hating the necessity
for dissimulation as much as the dissimulation itself, I drew from
this peculiarity also of my own mind a fresh reinforcement of my other
motives for sequestering myself; and, for the first two years of my
residence in Oxford, I compute that I did not utter one hundred words.
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