He laid out his days in busy idleness. Every day between twelve and three o’clock he was with the Duchess; afterwards he went to meet her in the Bois de Boulogne and ride beside her carriage. Sometimes the charming couple rode together, but this was early in fine summer mornings. Society, balls, the theatre, and gaiety filled the Count’s evening hours. Everywhere Victurnien made a brilliant figure, everywhere he flung the pearls of his wit broadcast. He gave his opinion on men, affairs, and events in profound sayings; he would have put you in mind of a fruit-tree putting forth all its strength in blossom. He was leading an enervating life wasteful of money, and even yet more wasteful, it may be of a man’s soul; in that life the fairest talents are buried out of sight, the most incorruptible honesty perishes, the best-tempered springs of will are slackened. The Duchess, so white and fragile and angel-like, felt attracted to the dissipations of bachelor life; she enjoyed first nights, she liked anything amusing, anything improvised. Bohemian restaurants lay outside her experience; so d’Esgrignon got up a charming little party at the Rocher de Cancale for her benefit, asked all the amiable scamps whom she cultivated and sermonized, and there was a vast amount of merriment, wit, and gaiety, and a corresponding bill to pay. That supper led to others. And through it all Victurnien worshiped her as an angel. Mme. de Maufrigneuse for him was still an angel, untouched by any taint of earth; an angel at the Varietes, where she sat out the half-obscene, vulgar farces, which made her laugh; an angel through the cross-fire of highly-flavored jests and scandalous anecdotes, which enlivened a stolen frolic; a languishing angel in the latticed box at the Vaudeville; an angel while she criticised the postures of opera dancers with the experience of an elderly habitue of le coin de la reine; an angel at the Porte Saint-Martin, at the little boulevard theatres, at the masked balls, which she enjoyed like any schoolboy. She was an angel who asked him for the love that lives by self-abnegation and heroism and self-sacrifice; an angel who would have her lover live like an English lord, with an income of a million francs. D’Esgrignon once exchanged a horse because the animal’s coat did not satisfy her notions. At play she was an angel, and certainly no bourgeoise that ever lived could have bidden d’Esgrignon “Stake for me!” in such an angelic way. She was so divinely reckless in her folly, that a man might well have sold his soul to the devil lest this angel should lose her taste for earthly pleasures.