The Collector's Handbook to Keramics of the Renaissance and Modern PeriodsChaffers, William
History
The Collector's Handbook to Keramics of the Renaissance and Modern Periods
Chaffers, William
Pottery
PARIS. Rue du Faubourg St. Denis. Fabrique de Charles Philippe Comte
d'Artois, afterwards Charles X. This manufacture was the most ancient of
all those established in Paris. Hannong of Strassburg, who brought into
France the secret of hard porcelain, formed the first establishment in
1769. Having obtained the protection of Charles Philippe, Comte
d'Artois, it was called by his name. The factory belonged actually to
Bourdon des Planches, who continued the manufacture of hard porcelain,
&c., but the works were closed in 1810.
VINCENNES. There was a porcelain manufactory here in 1786, quite apart
from the royal factory. It was directed by M. Le Maire, probably the
same who founded that in Rue Popincourt, which was ceded to M. Nast in
1783. There were four establishments at Vincennes; the first by the
brothers Dubois, subsequently transferred to Sèvres; the second by
Maurin des Aubiez, in 1767; the third by Pierre Antoine Hannong; and the
fourth that described above.
[Illustration: FIG. 228.--CUP AND SAUCER. _Mark, H. L. L., in gold._
Diam. 2-1/2 and 5 in.]
VINCENNES AND SÈVRES
The history of the celebrated manufactory at Sèvres must be traced back
to that of St. Cloud, which was founded as early as 1695. Here Louis
XIV. accorded his patronage and favour by granting exclusive privileges.
In 1735 the secret of the manufacture was carried, by some of the
workmen, to Chantilly, and for a time continued there by the brothers
Dubois. They left in a few years, taking with them their secret, and
settled at Vincennes, where a laboratory was granted them, but after
three years they were dismissed.
In 1745, a sculptor, named Charles Adam, formed a company, and the
scheme was approved of by the king, privileges being accorded them for
thirty years, and a place granted for their works in the Château de
Vincennes. In 1753 the privileges of Charles Adam were purchased by Eloy
Brichard, and Louis XV. took a third share; hence the factory became a
royal establishment. Madame de Pompadour considerably encouraged the
ceramic art, and it arrived at the height of perfection. The buildings
were found too small to meet the increasing demands for the beautiful
productions, and in 1756 the works were removed to a large edifice at
SÈVRES built expressly for the company.
A favourite decoration of Vincennes porcelain was flowers and birds, on
a beautiful _bleu de roi_ ground, and cupids painted in _camaïeu_ of a
single colour.
[Illustration: FIG. 229.--VASE. _Bleu de roi ground, with panels with
birds in gold. Mark, double L enclosing a dot, in gold._ Height 9-1/4
in.]
In 1760 the king became sole proprietor, and M. Boileau was appointed
director.
Public-domain text, read in full here on John Shaqi.
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