The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancientTarkington, Booth
General
The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancient
Tarkington, Booth
Antiques -- Humor
Now, a word upon the manner and means of collecting. As will readily
be supposed, I do not follow the ordinary channels or patronize the
customary marts of trade in antiques. I have nothing to say against the
Antiquity Shops as such; and I freely admit that many of them contain
genuine prizes for the persistent seeker; but after all they are for
the amateur of careless purse. It is true that in a shop one CAN pick
up a very small bit of rare value for nothing sometimes; and I have
done it successfully; but the chances are against it, and, as it is
always risky, usually I have thought better not even to try. No, the
shops are not my field of endeavor. I say it in all modesty, but I have
done better among the garnered old treasures of one quiet, private
house than in a hundred Antiquity Shops.
In general, a collector needs what I may be pardoned for calling the
Collector’s Eye. To illustrate my meaning: How many of my readers
have not at some time missed an heirloom, or other treasured object
that has simply disappeared? We all have these losses. The missing
object has, most probably (as we say), just been “thrown out.” The
true Collector’s Eye is ever busy in those places or receptacles where
things _are_ “thrown out.” Of course, most of one’s discoveries made
in this manner consist of portions, rather than of entire objects of
_vertu_; nevertheless, I have thus picked up many of my best things.
But the true Collector’s Eye is never at rest. Take an old gate in a
fence, or a dilapidated building of any sort: the ordinary gaze may
pass over these surfaces with mere _ennui_, but many of my best old
hinges, latches, etc., have been wrenched from such environments,
merely in passing, as it were. The Collector’s Eye will note the very
fall of a fine old bit of blacksmithing from some careless horse. No
doubt the uninitiated critic will cry “Fie!” upon this. “What? Are
there collectors who collect horseshoes?” And may I ask: “Why not,
indeed?” Aside from the intrinsic value latent in any fine old bit
of iron, no true quoit-player would miss an opportunity to make a
contribution to the beautifying and decoration of his home club. And
let me whisper in the ear of the Philistine skeptic for his better
information: Is he aware that in the finest Louis XV _vitrine_ in the
palace of Prince Oscar Schofield, at Zorn, under glass and reposing
upon delicate shagreen velours, is the gilded shoe of the steed of
Balaam? If no collector had picked it up, would it be there?
But I would impress upon the beginner: he must not be content with
merely picking up things. He must, indeed, pick up what he can,
wherever there is a fair opportunity; but I should not stand where I do
to-day among collectors, had I stopped with merely “picking up” things.
True, I have picked up many and many’s the good thing; but my BEST
things were not obtained in this way.
Public-domain text, read in full here on John Shaqi.
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