The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancientTarkington, Booth
General
The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancient
Tarkington, Booth
Antiques -- Humor
The shops start in the expensive shopping districts with the large,
impressive, brightly lighted establishments where important-looking
salesmen remove individual treasures from safes and cupboards, exhibit
them proudly and learnedly, and quote prices on them that cause a pale
green flush to steal over the face of the unsuspecting quester after
antiques.
They end in the little side streets with small dark shops smelling of
a peculiar blend of cheese-rind, fish-glue and unfinished subways, in
which the pallid proprietors wait with old-world patience for customers
to come and fight indefinitely to get a four-dollar article reduced to
sixty-five cents.
The latter shops, of course, are of the greatest importance to the
itinerant or catch-as-catch-can antique-hunters; for it is only in
them that one stumbles on something rare and costly that has lain
hidden in a shop-corner, regarded by the shopkeeper as a mere piece
of junk—something, for example, like one of Marie Antoinette’s crown
jewels or a piece of genuine fifteenth-century arras tapestry or one of
Henry the Eighth’s marriage certificates or a coal scuttle which was
used by Madame du Barry—something that can be bought for a dollar and a
quarter and sold for ten thousand.
It is scarcely necessary to point out that the antique-dealer is
usually thoroughly conversant with the value of his possessions, that
being his chief business in life. Still, he sometimes makes a mistake,
as do such highly respected oracles as Senator William E. Borah, David
Lloyd George, and Benito Mussolini; and it should be the aim of every
true antique-hunter to encourage him to make all that he can.
Wherever one moves about in European antique-circles, one is apt to
hear the story of the helpless amateur who stumbled into a Marseilles
antique-shop and bought an amber necklace for twenty-five dollars. When
he got it home, he took it to a large jewelry shop to have it valued.
The jeweler, after examining each bead with great care, offered its
owner a thousand dollars for it. This aroused the owner’s suspicions,
so he took the beads to an expert and thereupon learned that each bead
was engraved _N à J_ in very small letters, and that it was a string
that Napoleon had given to Madame Pompadour as a little token of his
esteem.
Some of those who tell the story declare that the lucky owner sold
the beads for ten thousand dollars. Others say that he sold them for
twenty-five thousand dollars. The most enthusiastic antiquers claim
that he received fifty thousand for the string. But a little matter
of fifteen or twenty-five thousand dollars should be nothing to
amateurs in antiques, especially when such sums are merely matters of
conversation and cost the converser nothing at all.
Public-domain text, read in full here on John Shaqi.
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