The Coming of Cassidy—And the OthersMulford, Clarence Edward
General
The Coming of Cassidy—And the Others
Mulford, Clarence Edward
Cassidy, Hopalong (Fictitious character) -- Fiction; Western stories
A man softly stepped to the door of the Victoria and watched the two
across the street with an expression on his face that showed his smiling
contempt for them and their kind. He was a small man, so far as
physical measurements go, but he was lithe, sinewy and compact. On his
opened vest, hanging slovenly and blinking in the growing light as if to
prepare itself for the blinding glare of midday, glinted a five-pointed
star of nickel, a lowly badge that every rural community knows and holds
in an awe far above the metal or design. Swinging low on his hip
gleamed the ivory butt of a silver-plated Colt, the one weakness that
his vanity seized upon. But under the silver and its engraving, above
and before the cracked and stained ivory handles, lay the power of a
great force; and under the casing of the marshal’s small body lay a
virile manhood, strong in courage and determination. Toby Harris
watched, smilingly; he loved the dramatic and found keen enjoyment in
the situation. Out of the corner of his eye he saw a carelessly dressed
cowpuncher slouching indolently along close to the buildings on the
other side of the street with the misleading sluggishness of a panther.
The red hair, kissed by the slanting rays of the sun where it showed
beneath the soiled sombrero, seemed to be a flaming warning; the
half-closed eyes, squinting under the brim of the big hat, missed
nothing as they darted from point to point.
The marshal stepped silently to the porch and then on to the ground, his
back to the rear of the hotel, waiting to be discovered. He had been in
sight perhaps a minute. The cowpuncher made a sudden, eye-baffling
movement and smoke whirled about his hips. Fred, turning the corner
behind the marshal, dropped his gun with a scream of rage and pain and
crashed against the window in sudden sickness, his gunhand hanging by a
tendon from his wrist. The marshal stepped quickly forward at the shot
and for an instant gazed deeply into the eyes of the startled rustlers.
Then his Colt leaped out and crashed a fraction of a second before the
brothers fired. George Thomas reeled, caught sight of the puncher and
fired by instinct. Bill, leaving Harris to watch the other side of the
street, was watching the rear corner of the Victoria and was unprepared
for the shot. He crumpled and dropped and then the marshal, enraged,
ended the rustler’s earthly career in a stream of flame and smoke. Tom,
turning into the street further down, wheeled and dashed for his horse,
and Art, having leaped behind the harness shop, turned and fled for his
life. He had nearly reached his horse and was going at top speed with
great leaps when the prostrate man in the street, raising on his elbow,
emptied his gun after him, the five shots sounding almost as one. Art
Thomas arose convulsively, steadied himself and managed to gain the
saddle. Harris looked hastily down the street and saw a cloud of dust
racing northward, and grunted.
Public-domain text, read in full here on John Shaqi.
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