English literature -- History and criticism; Literature, Modern -- History and criticism
Such a training, at once so cloistered and so free, should have bred a
lettered old maid, glad of her seclusion, and the writer perhaps of some
volume of letters or translations from the classics, which we should
still quote as proof of the cultivation of our ancestresses. But there
was a wild streak in Margaret, a love of finery and extravagance and
fame, which was for ever upsetting the orderly arrangements of nature.
When she heard that the Queen, since the outbreak of the Civil War, had
fewer maids-of-honour than usual, she had “a great desire” to become one
of them. Her mother let her go against the judgement of the rest of the
family, who, knowing that she had never left home and had scarcely been
beyond their sight, justly thought that she might behave at Court to her
disadvantage. “Which indeed I did,” Margaret confessed; “for I was so
bashful when I was out of my mother’s, brothers’, and sisters’ sight
that . . . I durst neither look up with my eyes, nor speak, nor be any
way sociable, insomuch as I was thought a natural fool.” The courtiers
laughed at her; and she retaliated in the obvious way. People were
censorious; men were jealous of brains in a woman; women suspected
intellect in their own sex; and what other lady, she might justly ask,
pondered as she walked on the nature of matter and whether snails have
teeth? But the laughter galled her, and she begged her mother to let her
come home. This being refused, wisely as the event turned out, she
stayed on for two years (1643–45), finally going with the Queen to
Paris, and there, among the exiles who came to pay their respects to the
Court, was the Marquis of Newcastle. To the general amazement, the
princely nobleman, who had led the King’s forces to disaster with
indomitable courage but little skill, fell in love with the shy, silent,
strangely dressed maid-of-honour. It was not “amorous love, but honest,
honourable love”, according to Margaret. She was no brilliant match; she
had gained a reputation for prudery and eccentricity. What, then, could
have made so great a nobleman fall at her feet? The onlookers were full
of derision, disparagement, and slander. “I fear”, Margaret wrote to the
Marquis, “others foresee we shall be unfortunate, though we see it not
ourselves, or else there would not be such pains to untie the knot of
our affections.” Again, “Saint Germains is a place of much slander, and
thinks I send too often to you”. “Pray consider”, she warned him, “that
I have enemies.” But the match was evidently perfect. The Duke, with his
love of poetry and music and play-writing, his interest in philosophy,
his belief “that nobody knew or could know the cause of anything”, his
romantic and generous temperament, was naturally drawn to a woman who
wrote poetry herself, was also a philosopher of the same way of
thinking, and lavished upon him not only the admiration of a
fellow-artist, but the gratitude of a sensitive creature who had been
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