English literature -- History and criticism; Literature, Modern -- History and criticism
Since the list of the qualities and graces of this seasoned old sinner
is by no means exhausted we can well understand how it was that Borrow’s
apple-woman on London Bridge called her “blessed Mary” and valued her
book above all the apples on her stall; and that Borrow, taking the book
deep into the booth, read till his eyes ached. But we dwell upon such
signs of character only by way of proof that the creator of Moll
Flanders was not, as he has been accused of being, a mere journalist and
literal recorder of facts with no conception of the nature of
psychology. It is true that his characters take shape and substance of
their own accord, as if in despite of the author and not altogether to
his liking. He never lingers or stresses any point of subtlety or
pathos, but presses on imperturbably as if they came there without his
knowledge. A touch of imagination, such as that when the Prince sits by
his son’s cradle and Roxana observes how “he loved to look at it when it
was asleep”, seems to mean much more to us than to him. After the
curiously modern dissertation upon the need of communicating matters of
importance to a second person lest, like the thief in Newgate, we should
talk of it in our sleep, he apologises for his digression. He seems to
have taken his characters so deeply into his mind that he lived them
without exactly knowing how; and, like all unconscious artists, he
leaves more gold in his work than his own generation was able to bring
to the surface.
The interpretation that we put on his characters might therefore well
have puzzled him. We find for ourselves meanings which he was careful to
disguise even from himself. Thus it comes about that we admire Moll
Flanders far more than we blame her. Nor can we believe that Defoe had
made up his mind as to the precise degree of her guilt, or was unaware
that in considering the lives of the abandoned he raised many deep
questions and hinted, if he did not state, answers quite at variance
with his professions of belief. From the evidence supplied by his essay
upon the “Education of Women” we know that he had thought deeply and
much in advance of his age upon the capacities of women, which he rated
very high, and the injustice done to them, which he rated very harsh.
I have often thought of it as one of the most barbarous customs in the
world, considering us as a civilised and a Christian country, that we
deny the advantages of learning to women. We reproach the sex every day
with folly and impertinence; which I am confident, had they the
advantages of education equal to us, they would be guilty of less than
ourselves.
Public-domain text, read in full here on John Shaqi.
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