The bashful boy in blushes; And the girl, with glancing eyes, Who hides her smiles, and hushes The laugh about to rise,-- Then, with a quick invention, Assumes a serious face, To meet the words, "Attention! Every scholar in his place!" The opening song, page 20.-- Ah! dear old "Golden Wreath," You willed your sweets in plenty; And some who look beneath The leaves of Time will linger, And loving tears will start, As Fancy trails her finger O'er the index of the heart. "Good News from Home"--We hear it Welling tremulous, yet clear And holy as the spirit Of the song we used to hear-- "Good news for me" (A throbbing And an aching melody)-- "Has come across the"--(sobbing, Yea, and salty) "dark blue sea!" Or the paean "Scotland's burning!" With its mighty surge and swell Of chorus, still returning To its universal yell-- Till we're almost glad to drop to Something sad and full of pain-- And "Skip verse three," and stop, too, Ere our hearts are broke again. Then "the big girls'" compositions, With their doubt, and hope, and glow Of heart and face,--conditions Of "the big boys"--even so,-- When themes of "Spring," and "Summer" And of "Fall," and "Winter-time" Droop our heads and hold us dumber Than the sleigh-bell's fancied chime. Elocutionary science-- (Still in changeless infancy!)-- With its "Cataline's Defiance," And "The Banner of the Free": Or, lured from Grandma's attic, A ramshackle "rocker" there, Adds a skreek of the dramatic To the poet's "Old Arm-Chair." Or the "Speech of Logan" shifts us From the pathos, to the fire; And Tell (with Gessler) lifts us Many noble notches higher.-- Till a youngster, far from sunny, With sad eyes of watery blue, Winds up with something "funny," Like "Cock-a-doodle-do!" Then a dialogue--selected For its realistic worth:-- The Cruel Boy detected With a turtle turned to earth Back downward; and, in pleading, The Good Boy--strangely gay At such a sad proceeding-- Says, "Turn him over, pray!" So the exercises taper Through gradations of delight To the reading of "The Paper," Which is entertaining--quite! For it goes ahead and mentions "If a certain Mr. O. Has serious intentions That he ought to tell her so." It also "Asks permission To intimate to 'John' The dubious condition Of the ground he's standing on"; And, dropping the suggestion To "mind what he's about," It stuns him with the question: "Does his mother know he's out?" And among the contributions To this "Academic Press" Are "Versified Effusions" By--"Our lady editress"-- Which fact is proudly stated By the CHIEF of the concern,-- "Though the verse communicated Bears the pen-name 'Fanny Fern.' "