The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
General
The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
But jolly as the days were, I think jollier were
the long evenings at the farm. After the supper in
the grove, where, when the weather permitted,
always stood the table ankle-deep in the cool green
plush of the sward; and after the lounge upon the
grass, and the cigars, and the new fish stories, and
the general invoice of the old ones, it was delectable
to get back to the girls again, and in the old
"best room" hear once more the lilt of the old
songs and the staccatoed laughter of the piano
mingling with the alto and falsetto voices of the Mills
girls, and the gallant soprano of the dear girl Doc.
This is the scene I want you to look in upon,
as, in fancy, I do now--and here are the materials
for it all, husked from the gilded roll:
Bob, the master, leans at the piano now, and Doc
is at the keys, her glad face often thrown up side-
wise toward his own. His face is boyish--for there
is yet but the ghost of a mustache upon his lip.
His eyes are dark and clear, of over-size when looking
at you, but now their lids are drooped above
his violin, whose melody has, for the time, almost
smoothed away the upward kinkings of the corners
of his mouth. And wonderfully quiet now
is every one, and the chords of the piano, too, are
low and faltering; and so, at last, the tune itself
swoons into the universal hush, and--Bob is rasping,
in its stead, the ridiculous, but marvelously
perfect imitation of the "priming" of a pump, while
Billy's hands forget the "chiggers" on the bare
backs of his feet, as, with clapping palms, he dances
round the room in ungovernable spasms of delight.
And then we all laugh; and Billy, taking advantage
of the general tumult, pulls Bob's head down and
whispers, "Git 'em to stay up 'way late to-night!"
And Bob, perhaps remembering that we go back
home to-morrow, winks at the little fellow and whispers,
"You let me manage 'em! Stay up till broad
daylight if we take a notion--eh?" And Billy
dances off again in newer glee, while the inspired
musician is plunking a banjo imitation on his
enchanted instrument, which is unceremoniously
drowned out by a circus-tune from Doc that is
absolutely inspiring to every one but the barefooted
brother, who drops back listlessly to his old position
on the floor and sullenly renews operations on
his "chigger" claims.
Public-domain text, read in full here on John Shaqi.
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