The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
"Thought you was goin' to have pop-corn to-night
all so fast!" he says, doggedly, in the midst of a
momentary lull that has fallen on a game of whist.
And then the oldest Mills girl, who thinks cards stupid
anyhow, says: "That's so, Billy; and we're going
to have it, too; and right away, for this game's
just ending, and I shan't submit to being bored with
another. I say 'pop-corn' with Billy! And after
that," she continues, rising and addressing the party
in general, "we must have another literary and
artistic tournament, and that's been in contemplation
and preparation long enough; so you gentlemen can
be pulling your wits together for the exercises, while
us girls see to the refreshments."
"Have you done anything toward it!" queries
Bob, when the girls are gone, with the alert Billy in
their wake.
"Just an outline," I reply. "How with you?"
"Clean forgot it--that is, the preparation; but I've
got a little old second-hand idea, if you'll all help me
out with it, that'll amuse us some, and tickle Billy,
I'm certain."
So that's agreed upon; and while Bob produces
his portfolio, drawing paper, pencils and so on, I
turn to my note-book in a dazed way and begin
counting my fingers in a depth of profound abstraction,
from which I am barely aroused by the reappearance
of the girls and Billy.
"Goody, goody, goody! Bob's goin' to make
pictures!" cries Billy, in additional transport to that
the cake pop-corn had produced.
"Now, you girls," says Bob, gently detaching the
affectionate Billy from one leg and moving a chair
to the table, with a backward glance of intelligence
toward the boy,--"you girls are to help us all you
can, and we can all work; but, as I'll have all the
illustrations to do, I want you to do as many of
the verses as you can--that'll be easy, you know,--
because the work entire is just to consist of a series
of fool-epigrams, such as, for instance,--listen,
Billy:
Here lies a young man
Who in childhood began
To swear, and to smoke, and to drink,--
In his twentieth year
He quit swearing and beer,
And yet is still smoking, I think."
And the rest of his instructions are delivered in
lower tones, that the boy may not hear; and then, all
matters seemingly arranged, he turns to the boy with
--"And now, Billy, no lookin' over shoulders, you
know, or swinging on my chair-back while I'm at
work. When the pictures are all finished, then you
can take a squint at 'em, and not before. Is that all
hunky, now?"
"Oh! who's a-goin' to look over your shoulder--
only DOC." And as the radiant Doc hastily quits
that very post, and dives for the offending brother,
he scrambles under the piano and laughs derisively.
And then a silence falls upon the group--a
gracious quiet, only intruded upon by the very juicy
and exuberant munching of an apple from a remote
fastness of the room, and the occasional thumping
of a bare heel against the floor.
At last I close my note-book with a half slam.
Public-domain text, read in full here on John Shaqi.
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