The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
Not very many years ago the writer was for
some months stationed at South Bend, a thriving
little city of northern Indiana. Its population is
mainly on the one side of the St. Joseph River, but
quite a respectable fraction thereof takes its
industrial way to the opposite shore, and there gains an
audience and a hearing in the rather imposing
growth and hurly-burly of its big manufactories,
and the consequent rapid appearance of multitudinous
neat cottages, tenement houses and business
blocks. A stranger entering South Bend proper on
any ordinary day, will be at some loss to account for
its prosperous appearance--its flagged and bouldered
streets--its handsome mercantile blocks, banks, and
business houses generally. Reasoning from cause to
effect, and seeing but a meager sprinkling of people
on the streets throughout the day, and these seeming,
for the most part, merely idlers, and in nowise
accessory to the evident thrift and opulence of their
surroundings, the observant stranger will be puzzled
at the situation. But when evening comes, and the
outlying foundries, sewing-machine, wagon, plow,
and other "works," together with the paper-mills and all the
nameless industries--when the operations
of all these are suspended for the day, and the
workmen and workwomen loosed from labor--then,
as this vast army suddenly invades and overflows
bridge, roadway, street and lane, the startled stranger
will fully comprehend the why and wherefore
of the city's high prosperity. And, once acquainted
with the people there, the fortunate sojourner will
find no ordinary culture and intelligence, and, as
certainly, he will meet with a social spirit and a
whole-souled heartiness that will make the place a
lasting memory. The town, too, is the home of
many world-known people, and a host of local
celebrities, the chief of which latter class I found,
during my stay there, in the person of Tommy Stafford,
or "The Wild Irishman" as everybody called
him.
"Talk of odd fellows and eccentric characters,"
said Major Blowney, my employer, one afternoon,
"you must see our 'Wild Irishman' here before you
say you've yet found the queerest, brightest, cleverest
chap in all your travels. What d'ye say,
Stockford?" And the Major paused in his work of
charging cartridges for his new breech-loading shotgun
and turned to await his partner's response.
Stockford, thus addressed, paused above the
shield-sign he was lettering, slowly smiling as he
dipped and trailed his pencil through the ivory black
upon a bit of broken glass and said, in his deliberate,
half absent-minded way,--"Is it Tommy you're telling
him about?" and then, with a gradual broadening
of the smile, he went on, "Well, I should say so.
Tommy! What's come of the fellow, anyway? I
haven't seen him since his last bout with the mayor,
on his trial for shakin' up that fast-horse man."
Public-domain text, read in full here on John Shaqi.
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