The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
"Now," said the Major, peering eagerly above my
shoulder, "go on with the next. To my mind, it is
even better than the first. A type of character you'll
recognize.--The same 'broth of a boy,' only
AMERICANIZED, don't you know."
And I read the scrap entitled--
CHAIRLEY BURKE
It's Chairley Burke's in town, b'ys! He's down til "Jamesy's
Place,"
Wid a bran'-new shave upon 'um, an' the fhwhuskers aff his face;
He's quit the Section-Gang last night, and yez can chalk it down
There's goin' to be the divil's toime, sence Chairley Burke's in
town.
It's treatin' iv'ry b'y he is, an' poundin' on the bar
Till iv'ry man he's drinkin' wid must shmoke a foine cigar;
An' Missus Murphy's little Kate, that's coomin' there for beer,
Can't pay wan cint the bucketful, the whilst that Chairley's
here!
He's joompin' oor the tops o' sthools, the both forninst an'
back!
He'll lave yez pick the blessed flure, an' walk the straightest
crack!
He's liftin' barrels wid his teeth, and singin "Garry Owen,"
Till all the house be strikin' hands, sence Chairley Burke's in
town.
The Road-Yaird hands coomes dhroppin' in, an' niver goin' back;
An' there's two freights upon the switch--the wan on aither
track--
An' Mr. Gearry, from The Shops, he's mad enough to swear,
An' durstn't spake a word but grin, the whilst that Chairley's
there!
Och! Chairley! Chairley! Chairley Burke! ye divil, wid yer ways
O' dhrivin' all the throubles aff, these dhark an' ghloomy days!
Ohone! that it's meself, wid all the graifs I have to dhrown,
Must lave me pick to resht a bit, sence Chairley Burke's in
town.
"Before we turn back, now," said the smiling
Major, as I stood lingering over the indefinable
humor of the last refrain, "before we turn back I
want to show you something eminently characteristic.
Come this way a half-dozen steps."
As he spoke I looked up, first to observe that we
had paused before a handsome square brick residence,
centering a beautiful smooth lawn, its emerald
only littered with the light gold of the earliest
autumn leaves. On either side of the trim walk
that led up from the gate to the carved stone
ballusters of the broad piazza, with its empty easy
chairs, were graceful vases, frothing over with
late blossoms, and wreathed with laurel-looking
vines; and, luxuriantly lacing the border of the
pave that turned the farther corner of the house,
blue, white and crimson, pink and violet, went
fading away in perspective as my gaze followed the
gesture of the Major's.
"Here, come a little farther. Now do you see
that man there?"
Public-domain text, read in full here on John Shaqi.
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