The complete works of John Gower, volume 1 : $b The French worksGower, John
General
The complete works of John Gower, volume 1 : $b The French works
Gower, John
Poetry
17555. ‘Qant homme ad paié sa monoie,
Quoy valt ce lors a repentir?’
18013. ‘L’en dist ensi communement,
Retrai le fieu bien sagement
Et la fumée exteinderas.’
18020. ‘courser megre ne salt pas.’
20420. ‘Cil qui sanz draps se fait aler,
Mal avera son garçon vestu.’
21085. ‘Ly moigne, ensi comme truis escrit,
Ne sont pas fait de leur habit.’
22927. ‘la fortune a les hardis
S’encline.’
23413. ‘Trop est l’oisel de mesprisure
Q’au son ny propre fait lesure.’
24230. ‘L’un covoitous et l’autre fals
Ils s’entracordont de leger.’
24265. ‘Nul trop nous valt, sicomme l’en dist.’
24962. ‘Sicome crepaldz dist al herice,
Maldit soient tant seigneurant.’
25010. ‘Om doit seignour par la maisnie
Conoistre.’
25015. ‘tiel corsaint, tiel offrendour.’
25302. ‘Te dourra craie pour fourmage.’
27867. ‘qui bien ayme point n’oublie.’
28597. ‘De la proverbe me sovient,
Q’om dist que molt sovent avient
Apres grant joye grant dolour.’
Akin to the proverbs are the illustrations from Natural History, real
or fictitious, of which there is a considerable number in the _Mirour_.
These are of very various classes, from simple facts of ordinary
observation to the monstrous inventions of the Bestiaries, which were
repeated by one writer after another with a faith which rested not on
any evidence of the facts stated, but upon their supposed agreement
with the fitness of things, that is, practically, their supposed
aptness as moral lessons, the medieval idea of the animal world being
apparently that it was created and kept in being largely for the
instruction of mankind. In taking the glow-worm as an illustration
of hypocrisy (1130), the lark of joyous thankfulness (5637), the
grasshopper of improvidence (5821), the lapwing of female dissimulation
(8869), the turtle-dove of constancy (17881), the drone of indolence
(5437), the camel of revengeful malice (4417), and the blind kitten of
drunken helplessness (8221), the author is merely making a literary
use of every-day observation. There are however, as might be expected,
plenty of illustrations of a more questionable character. Presumption
is like the tiger beguiled with the mirror (1561); the proud man who is
disobedient to law is like the unicorn, which cannot be tamed (2101);
the devil breaking down the virtue of a man by raising him high in his
own conceit is like the osprey, which carries bones high in the air
and breaks them by dropping them upon rocks (1849); Envy, who destroys
with her breath the honour of all around her, is like the basilisk
which kills all vegetation in the place where it is found (3745);
the man-faced bird, which pines away because it has slain a man, is
produced as a lesson to murderers (5029); the bad father, who teaches
his sons to plunder the poor, is like the hawk, which beats its young
Public-domain text, read in full here on John Shaqi.
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