The Complete Works of Richard Crashaw, Volume IICrashaw, Richard
General
The Complete Works of Richard Crashaw, Volume II
Crashaw, Richard
English poetry -- Early modern, 1500-1700
I thank Dr. George Macdonald[32] (in 'Antiphon') for his quaint opening
words on our Crashaw, and forgive him, for their sake, his blind reading
of 'The Weeper.' 'I come now to one of the loveliest of our angel-birds,
Richard Crashaw. Indeed, he was like a bird in more senses than one; for
he belongs to that class of men who seem hardly ever to get foot-hold of
this world, but are ever floating in the upper air of it' (p. 238).
True, and yet not wholly; or rather, if our Poet ascends to 'the upper
air,' and sings there with all the divineness of the skylark, like the
skylark his eyes fail not to over-watch the nest among the grain
beneath, nor his wings to be folded over it at the shut of eve.
Infinitely more, then, is to be found in Crashaw than Pope (in his
Letter to his friend Henry Cromwell) found: 'I take this poet to have
writ like a gentleman; that is, at leisure hours, and more to keep out
of idleness than to establish a reputation: so that nothing regular or
just can be expected of him. All that regards design, form, fable (which
is the soul of poetry), all that concerns exactness, or consent of parts
(which is the body), will probably be wanting; only pretty conceptions,
fine metaphors, glittering expressions, and something of a neat cast of
verse (which are properly the dress, gems, or loose ornaments of
poetry), may be found in these verses.' Nay verily, the form is often
exquisite; but 'neat' and 'pretty conceptions' applied to such verse is
as 'pretty' applied to Niagara--so full, strong, deep, thought-laden is
it. I have no wish to charge plagiarism on Pope from Crashaw, as
Peregrine Phillips did (see onward); but neither is the contemptuous as
ignorant answer by a metaphor of Hayley to be received. The two minds
were essentially different: Pope was talented, and used his talents to
the utmost; Crashaw had absolute as unique genius.[33]
(_b_) _Subtlety of emotion._ Dr. Donne, in a memorable passage, with
daring originality, sings of Mrs. Drury rapturously:
'Her pure and eloquent soul
Spoke in her cheeks, and so distinctly wrought,
That one might almost say her body thought.'
Public-domain text, read in full here on John Shaqi.
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