The Confession of a Child of the Century — Volume 1Musset, Alfred de
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The Confession of a Child of the Century — Volume 1
Musset, Alfred de
France -- Fiction; French fiction -- Translations into English; Historical fiction
I ask what would be expected of a poor sewing-girl, young and pretty,
about eighteen, with a romantic affair on her hands that is purely a
question of love; with little knowledge of life and no idea of morals;
eternally sewing near a window before which processions were not allowed
to pass by order of the police, but near which a dozen young women
prowled who were licensed and recognized by these same police; what could
you expect of her, when after wearying her hands and eyes all day long on
a dress or a hat, she leans out of that window as night falls? That
dress she has sewed, that hat she has trimmed with her poor and honest
hands in order to earn a supper for the household, she sees passing along
the street on the head or on the body of a notorious woman. Thirty times
a day a hired carriage stops before the door, and there steps out a
dissolute character, numbered as is the hack in which she rides, who
stands before a glass and primps, taking off and putting on the results
of many days' work on the part of the poor girl who watches her. She
sees that woman draw from her pocket gold in plenty, she who has but one
louis a week; she looks at her feet and her head, she examines her dress
and eyes her as she steps into her carriage; and then, what can you
expect? When night has fallen, after a day when work has been scarce,
when her mother is sick, she opens her door, stretches out her hand and
stops a passerby.
Such is the story of a girl I once knew. She could play the piano, knew
something of accounts, a little designing, even a little history and
grammar, and thus a little of everything. How many times have I regarded
with poignant compassion that sad work of nature, mutilated by society!
How many times have I followed in the darkness the pale and vacillating
gleams of a spark flickering in abortive life! How many times have I
tried to revive the fire that smouldered under those ashes! Alas! her
long hair was the color of ashes, and we called her Cendrillon.
I was not rich enough to help her; Desgenais, at my request, interested
himself in the poor creature; he made her learn over again all of which
she had a slight knowledge. But she could make no appreciable progress.
When her teacher left her she would fold her arms and for hours look
silently across the public square. What days! What misery! One day I
threatened that if she did not work she should have no money; she
silently resumed her task, and I learned that she stole out of the house
a few minutes later. Where did she go? God knows. Before she left I
asked her to embroider a purse for me. I still have that sad relic, it
hangs in my room, a monument of the ruin that is wrought here below.
But here is another case:
It was about ten in the evening when, after a riotous day, we repaired to
Desgenais's, who had left us some hours before to make his preparations.
The orchestra was ready and the room filled when we arrived.
Public-domain text, read in full here on John Shaqi.
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