The Confession of a Child of the Century — Volume 1Musset, Alfred de
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The Confession of a Child of the Century — Volume 1
Musset, Alfred de
France -- Fiction; French fiction -- Translations into English; Historical fiction
When the waltz was over I threw myself on a chair; my heart beat wildly:
"Oh, heaven!" I murmured, "how can it be possible? Oh, superb monster!
Oh! beautiful reptile! How you writhe, how you coil in and out, sweet
adder, with supple and spotted skin! Thy cousin the serpent has taught
thee to coil about the tree of life holding between thy lips the apple of
temptation. Oh! Melusina! Melusina! The hearts of men are thine. You
know it well, enchantress, with your soft languor that seems to suspect
nothing! You know very well that you ruin, that you destroy;
you know that he who touches you will suffer; you know that he dies who
basks in your smile, who breathes the perfume of your flowers and comes
under the magic influence of your charms; that is why you abandon
yourself so freely, that is why your smile is so sweet, your flowers so
fresh; that is why you place your arms so gently on our shoulders. Oh,
heaven! what is your will with us?"
Professor Halle has said a terrible thing: "Woman is the nervous part of
humanity, man the muscular." Humboldt himself, that serious thinker, has
said that an invisible atmosphere surrounds the human nerves.
I do not quote the dreamers who watch the wheeling flight of
Spallanzani's bat, and who think they have found a sixth sense in nature.
Such as nature is, her mysteries are terrible enough, her powers mighty
enough--that nature which creates us, mocks at us, and kills us--without
our seeking to deepen the shadows that surround us. But where is the man
who thinks he has lived that will deny woman's power over us? Has he
ever taken leave of a beautiful dancer with trembling hands? Has he ever
felt that indefinable enervating magnetism which, in the midst of the
dance, under the influence of music, and the warmth, making all else seem
cold, that comes from a young woman, electrifying her and leaping from
her to him as the perfume of aloes from the swinging censer?
I was struck with stupor. I was familiar with that sensation similar to
drunkenness which characterizes love; I knew that it was the aureole
which crowned my well-beloved. But that she should excite such heart-
throbs, that she should evoke such phantoms with nothing but her beauty,
her flowers, her motley costume, and a certain trick of dancing she had
learned from some merry-andrew; and that without a word, without a
thought, without even appearing to know it! What was chaos, if it
required seven days to make such a being?
Public-domain text, read in full here on John Shaqi.
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