The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.Celesia, Emanuele
History
The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.
Celesia, Emanuele
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547; Genoa (Italy) -- History
But these accusations cannot deprive Doria of the merit of having
refrained from assuming the absolute sovereignty of his country;
though we know that the love of liberty in his fellow citizens must
have been, sooner or later, fatal to such an ambition. In such an open
assault upon popular liberty, he would have found enemies in his own
house, as he did, in fact, when he enlisted in the service of Spain.
This is proved by the documents which Molini[18] found in the French
Archives, and is a conspicuous proof of the profound antipathy of
Liguria to Spain. Doria, knowing well the liberal tendencies of his
fellow citizens, contrived to get princely authority and power without
assuming the name.
The laws of the _union_ shaped by him changed the face of the Republic.
His chief reform consisted in removing the middle classes from the
public offices by adding new families to the nobility. The gentlemen
resented the elevation of plebeians to their side; the lower classes
complained; for though the law left them free to ascribe themselves
to the nobility, it was soon seen that this law was a new deception.
The constitution of Doria was fashioned with aristocratic aims, and if
it established equality, it was only among the nobles. The people had
neither guaranty nor representation. Leo writes that however wisely
the instrument was framed, it failed to establish the rights of the
plebeians. This class had no more share in the state than the peasantry
of the Riviera, and remained, with its precarious and humble title of
citizenship, subject to the nobility.
The law which changed a family into a collection of persons, or
_Albergo_, was more than unjust, it was iniquitous. Those who entered
these _Alberghi_ were forced to renounce their own names, however
honourable they might be, to extinguish their own memory and that of
their ancestors, in order to assume the name of the congregation; so
that for example, a Biagio Asereto would be compelled to take the name
of a Vivaldi for no other reason than that the latter name was borne
by more persons. Many truly illustrious and most honourable houses
preferred to remain in the number of the people; and it is related that
of two brothers Castelli; one made himself a noble under the title
of Grimaldi, while the other remained a man of the people under his
christian name Giustiniano.
Public-domain text, read in full here on John Shaqi.
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