The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
sister. This stealing of wives is beginning to excite some commotion. I
heard that there had been a council of chiefs in the neighborhood of
Talassee. It was a very animated one, and the wrong of wife-stealing was
violently discussed. It was thought by some almost as bad as
land-stealing. Others felt rather relieved by it. One of the drunken
Indians whom I saw reeling and whooping about, as I stood at the door of
the log hut where we dined, seemed of the latter party. I asked a
_linkister_ the meaning of a song the Indian was singing with such glee.
The black _linkister_ laughed, and was reluctant to explain; but when I
pressed him, the following proved to be the meaning of the burthen:--
A man may have a wife,
And that wife an untrue one;
And yet the man won't die,
But go and get a new one.
No doubt the poor fellow had been robbed in the same way, and, between
music and whiskey, was providing himself with consolation.
I was invited to 'camp out,' as they call it, near the sacred square. A
Mr. Du Bois, a man with an Indian wife and family, had arrangements for
the purpose in a neighboring field; so I went to the evening dance, and
left my party to the enjoyment of a sheltering roof at the frontier Blue
Beard's in Talassee; having made up my mind, after I had seen enough
more of the Indian festival for the night, to accept the proffered
'field-bed' which was so conveniently nigh, and sleep, for the first
time, in a real 'sky parlor.'
I sat to look at the evening dances till very late. The blazing fire
through the darkness gave a new aspect and still more striking wildness
to the fantastic scene. Some ceremonies yet unattempted seemed to be
going on over the drinks in the deep cauldrons; and the figures around
them, with those of the dancers, reminded me of the witch scenes in
Macbeth, as conceived by Shakspeare, not by the actors of them upon the
stage. Four grim figures were stirring the cauldrons incessantly, with a
sort of humming incantation, the others dancing around. In one of their
dances they used a sort of small kettle-drum, with a guitar-like handle
to it. But after a while, the evening dances seemed to vary from the
devotional to the complimentary and to the diverting; but the daylight
ones were altogether devotional. Apotheola led one of the less lofty
order, and he is one of the most popular and respected of their chiefs.
Its music seemed to consist of an exclamation from him of Yo, ho, ho!
yo, ho, ho!--to which the response appeared as if complimentary, and to
contain only the animated and measured repetition of _Apotheo_LA!
_Apotheo_LA! Another dance, which excited most boisterous mirth, was led
by a chief who is called by the borderers Peter the Gambler. He is a
great humorist, and famous for his love of play,--famous even among the
Indians, who are all gamblers. Once throwing dice with a chief, he
staked himself against a negro slave, and won the negro. I never saw a
Public-domain text, read in full here on John Shaqi.
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