The Continental Monthly, Vol. 6, No 2, August, 1864: Devoted to Literature and National PolicyVarious
Religion
The Continental Monthly, Vol. 6, No 2, August, 1864: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Handing the manuscript with all care to Cleotos, the poet leaned back
with eyes closed in delicious revery, now and then arousing himself to
correct some defective emphasis or unsatisfactory intonation, the
tolerance of which, he imagined, would mar the proper effect of the
production, or, with persistent desire for praise, momentarily calling
closer attention to such passages as appeared to him deserving of
especial commendation--and generally omitting no opportunity of exacting
that entire admiration to which he believed his genius entitled him.
Apart from a somewhat extravagant display of high-strained metaphor, the
poem had merit, being bold in scope, sonorous and well rounded in tone,
and here and there gracefully decked with original and pleasing
thoughts. Throughout the whole, however, the singular propensity of the
author for indulgence in morbid and gloomy reflection found its usual
development, while every line was laden with lofty maxims of moral
philosophy, mingled with urgent incentives to the adoption of a virtuous
career;--all, in themselves, both unexceptionable and praiseworthy, but,
nevertheless, having a strange sound in the ears of those who recognized
them as the utterances of one whose conversation was always flippant and
puerile, and whose daily life, in the enormity and uninterrupted
persistency of its profligacy, rendered him the acknowledged leader of
all that was most disreputable and contaminating in Roman society.
At length, the reading having been fully completed, and the listener's
powers of flattery exhausted, the author carefully rewrapped his poem in
its silken cover and carried it away, to read it, in turn, to other
noble ladies, with the same transparent pretence of giving exclusive
hearing of it to each. For a few moments AEnone remained in thoughtful
silence, with her head bowed upon her hand; recalling the scattered
fragments of the sonorous verses, and wondering why it was that, when
each line had seemed so perfect in itself, and every thought so pure and
noble in its purport and conception, the whole should have left upon her
mind such an undefinable impress of dissatisfaction.
Cleotos, with unobtrusive scrutiny, seemed to read her thoughts, for, at
the first intimation of her perplexity, he said:
'It is because the author of those verses has not sincerely felt the
full meaning of what he has there written. For, with whatsoever display
of ingenious and artistic skill fair sounding maxims of morality may be
expressed, yet, if they come not from the heart, their utterance must
seem hollow and unreal. I do not know this author--how or where he
lives. It may be that in his daily life he is outwardly all that could
be desired. But I know this--that he has written about virtue and death,
not because he loves the one and fears not the other, but simply
because, by a display of well-toned periods, he may more surely hope to
gain the applause of the arena and the smiles of the court.'
Public-domain text, read in full here on John Shaqi.
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