The Continental Monthly, Vol. 6, No 4, August, 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 6, No 4, August, 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
From Savannah to the Tennessee, directly opposite Pittsburg Landing, is,
by the course we took, perhaps ten miles. The route was only a narrow
wagon-path through the woods and bottoms bordering the river, and the
wisdom was soon apparent which had beforehand secured the services of a
native as guide. Most of the latter half of the distance was through a
low, slimy swamp land, giving rank growth to an almost continuous forest
of sycamore, cottonwood, and other trees which love a damp, alluvial
soil, whose massive trunks were yet foul and unsightly with filth and
scum deposited by the receding waters at the subsidence of the river's
great spring freshet a month before. Stagnant ponds and mimic lagoons
lay all about us and in our very pathway, some of the deeper ones,
however, rudely bridged. Very rapid progress was impossible. It had
already been found necessary to send our artillery back to Savannah,
whence it would have to be brought up on the transports. The afternoon
wore on, warm and sultry, and the atmosphere in those dank woods felt
close, aguish, and unwholesome. Not a breath of air stirred to refresh
the heated forms winding in long, continuous line along the dark boles
of the trees, through whose branches and leafless twigs the sunlight
streamed in little broken gleams of yellow brightness, and made a
curious checkerwork of sheen and shadow on all beneath. Burdened as we
were with knapsacks and twenty extra rounds of ammunition, the march
grew more and more laborious. But the noise of battle was sharpening
more significantly every few minutes now, and the men pushed forward. It
was no child's game going on ahead of us. We _might_ be needed.
Public-domain text, read in full here on John Shaqi.
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