The Continental Monthly, Vol III, Issue VI, June, 1863: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol III, Issue VI, June, 1863: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
fancy, leaving perhaps a score of gentlemen guests to quaff cobwebbed
wines in unstinted goblets. Why isn't it pleasant to linger sometimes in
these royal abodes, and to saunter in the endless lawns and forest
glades of the rich and the great, where we may encounter ladies rather
handsomer and gentlemen rather haughtier than they are generally made in
our own circle? Let us not be captious, but agreeably appreciative.
In a short sentence in one of the opening chapters of 'Sword and Gown,'
our author proclaims probably the intention, certainly the result of his
literary labors--to produce a string of beautiful cameos, with just
thread enough of story to string them upon. This task is done, and well
done. The classical allusions are numerous, and seldom can we blame one
as out of place. Generally they are wrought into beautiful little
pictures, complete in themselves. He manages them with wonderful
dexterity, never making too much of them, nor dwelling upon them too
long; but with his masterly skill in language he handles his words as a
painter his colors, and now we have a bold royal sketch, cloudy outlines
of gigantic proportions, shadowy scenes of indefinite grandeur, done
with a few strong, words and magnificent adjectives; and now a little
paragraph, charming in its exquisite daintiness, like a miniature rarely
done upon the face of a costly gem. It is in this word-painting that he
is surpassingly admirable. Delineation, description, portraiture are his
forte. The same quality of mind which gives dreams of princely men and
divine women seems to have brought also a generous endowment of warm,
rich words, wherewith to do justice to the imaginings. All the beauty,
dignity, and glory of English logography seem to be his: he marshals an
array of adjectives and phrases which seem all of the blood royal of our
munificent mother tongue. Oftentimes his page sounds like the
deep-rolling anthem of a mighty cathedral organ. Might and music are in
his syllables; and without sifting his sentences for a noble thought or
a beautiful idea, we may be pleased by the stately tread of their
succession, and their rich harmonious cadences.
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