The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
General
The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"No, you were asking me to become an Economist, and be one of 'the few
rare spirits which every age providentially affords,' and so on. That
is absolute and immoral nonsense. When you publish a novel you are at
least pretending to supply a certain demand; and if you don't
endeavour honestly to supply it, you are a swindler, no more and no
less. No, it is all very well to write for posterity, if it amuses
you, John; personally, I cannot imagine what possible benefit you will
derive from it, even though posterity _does_ read your books. And for
myself, I want to be read and to be a power while I can appreciate the
fact that I _am_ a sort of power, however insignificant. Besides, I
want to make some money out of the blamed thing. Mother is a dear, of
course, but, like all the Bulmers, with age she is becoming tight-fisted."
"And Esau--" Charteris began.
"Yes,--but that's Biblical, and publishing a book is business. People
say to authors, just as they do to tailors: 'I want such and such an
article. Make it and I'll pay you for it.' Now, your tailor may
consider the Imperial Roman costume more artistic than that of today,
and so may you in the abstract, but if he sent home a toga in place of
a pair of trousers, you would discontinue dealing with him. So if it
amuses you to make togas, well and good; I don't quarrel with it; but,
personally, I mean to go into the gents' furnishing line and to do my
work efficiently."
"Yes,--but with your tongue in your cheek."
"It is the one and only attitude," I sweetly answered, "in which to
write if you indeed desire to be read with enjoyment." And presently I
rose and launched upon
_A Defence of That Attitude_
"The main trouble with you, John Charteris, is that you will never
recover from being _fin de siecle_. Yes, you belong to that queer
dying nineteenth century. And even so, you have quite overlooked what
is, perhaps, the signal achievement of the nineteenth century,--the
relegation of its literature to the pharmacopoeia. The comparison of
the tailor, I willingly admit, is a bad one. Those who write
successfully nowadays must appeal to men and women who seek in fiction
not only a means of relaxation, but spiritual comfort as well, and an
uplifting rather than a mere diversion of the mind; so that they are
really druggists who trade exclusively in intoxicants and hypnotics.
"Half of the customers patronize the reading-matter shops because they
want to induce delusions about a world they know, and do not find
particularly roseate and the other half skim through a book because
they haven't anything else to do and aren't sleepy, as yet.
Public-domain text, read in full here on John Shaqi.
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